Albums By Artists Whose Names Begin With - J
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Catalog Number: Cadence Jazz Records 1220
Live From Yoshi'sDavid Haney (Piano), John Tchiacai (Saxophone), Adam Lane (Bass), Mat Marucci (Drums), Duck Baker (Guitar), Rob Scheps (Saxophone)Here is an historical release that has remained amazingly up-to-date. This is the remarkable David Haney's earliest recording to date. Recorded live in April 2000, it finds Mr. Haney in some pretty fast company. An informal/formal meeting, it's a wonderful example of creative minds creating while keeping their feet on the floor. A fun get-together and another distinct offering from David Haney's growing body of work.
Catalog Number: Cadence Jazz Records 1219
The Spirits at Belle'sJimmy Bennington (Drums), Perry Robinson (Clarinet), Mathew Golombisky (Bass), Daniel Thatcher (Bass)Jimmy Bennington and Perry Robinson show no generation gap. Bennington plays like a veteran and Robinson delivers with a young lion's innocence. This is a pairing that over the past few years seems to have brought out the best in both. Here they stretch out in relaxed but dynamic fashion over three tracks and produce what is arguably some of their finest work to date.
Catalog Number: Cadence Jazz Records 1218
ForwardBrian Landrus (Saxophone), George Garzone (Saxophone), Allan Chase (Saxophone), Jason Palmer (Trumpet), Michael Cain (Piano), John Lockwood (Bass), Rakalam Bob Moses (Drums), Rupac Mantilla (Percussion)There's a new baritone sax voice in town–Brian Landrus, who impresses also on bass clarinet, alto flute, and as a composer of the majority of this program's compositions. Joining him are a few veterans including George Garzone, John Lockwood, Allan Chase, and Bob Moses; each known not only by his past body of work but also for the select company each chooses to keep.
Catalog Number: Cadence Jazz Records 1218
ForwardBrian Landrus (Saxophone), George Garzone (Saxophone), Allan Chase (Saxophone), Jason Palmer (Trumpet), Michael Cain (Piano), John Lockwood (Bass), Rakalam Bob Moses (Drums), Rupac Mantilla (Percussion)There's a new baritone sax voice in town–Brian Landrus, who impresses also on bass clarinet, alto flute, and as a composer of the majority of this program's compositions. Joining him are a few veterans including George Garzone, John Lockwood, Allan Chase, and Bob Moses; each known not only by his past body of work but also for the select company each chooses to keep.
Catalog Number: Cadence Jazz Records 1213
Ride Of Your LifeGeorge Dulin Disband (Primary), Danny Zanker (Bass), Take Toriyama (Drums), Jordan Perlson (Drums), George Dulin (Piano)This is George Dulin’s first release and what a wondrous debut. Cadence Jazz suspects he may be a new stylist—but with only one release it’s hard to tell. What is certain: he is assured and mature in his original workings based, basically, on some great old standards.
For those who think inside can no longer challenge direction and performance, this will test that assumption. The liners say he’s “an alchemy of Bud Powell and Don Pullen” while George Garzone calls him unique. We just call it wonderful listening.
Catalog Number: Cadence Jazz Records 1212
StringsSalim Washington (Primary), Alva Anderson (Saxophone), Charlie Burnham (Viola), Henry Cook (Flute), Akua Dixon (Cello), Melanie Dyer (Viola), Rosi Hertlein (Violin), Clarissa Howell (Cello), Hakim Jami (Bass), Howard Johnson (Clarinet), Mark Johnson (Drums), Jaribu Shahid (Bass)Here is an ambitious effort by all concerned, a unique gathering and scoring of some very heartfelt music. The result is uplifting spirit music to both dance to and ponder. This is a celebratory event and will appeal to a broad range of Jazz and "non-Jazz" ...
Catalog Number: Cadence Jazz Records 1211
Partners in CrimeMat Marucci (Primary), Doug Webb (Saxophone), Joe Dolister (Bass)This Marucci-Webb collaboration predates the remarkable CIMP recordings by this well matched team (CIMPs 346 and 356). This trio recording—made live in 2004 in Sacramento, California—is a nice combination of originals and standards. Those familiar with their previous releases will immediately recognize the style of this one's accessible inventiveness. If this is a crime, it sure is a ...
Catalog Number: Cadence Jazz Records 1209
Papajo: Simple GamePaul Hubweber (Trombone), Paul Lovens (Drums & Cymbals), John Edwards (Double Bass)Pure improvisation. These three are so conversant with the language of improvisation and their technical abilities are such that when they jump into the explorations they go right to the heart of the conversation. It's a profound trio-logue and makes for wonderful focused listening. And it's a live concert.
Catalog Number: Cadence Jazz Records 1206
FlowKyle Aho (Primary), Jeremy Allen (Bass), Richie Barshay (Drums)Kyle Aho is a pianist worth listening to. A quirky mainstreamer, he utilizes the mainstream-based technique and impregnates it with odd twists and turns. Respected in the music community, Kyle's earlier work (CadenceJazz 1182, CadenceJazz 1204) is almost exclusively in the company of Joel Press, and both Cadence Jazz releases have been singled out for the pianistic work. Something fresh for the ...
Catalog Number: Cadence Jazz Records 1205
JCAORCH: The Same ThingDarrell Katz (Composer), Phil Scarff (Tenor Saxophone), Jim Hobbs (Alto Saxophone), Taki Masuko (Percussion), Fred Ho (Baritone Saxophone), David Harris (Trombone)The Jazz Composers Alliance Orchestra remains one of the finest creative jazz orchestras in North America. This time out Fred Ho guests and the band pays tribute to Ray Charles and Willie Dixon as part of a program of six Darrell Katz originals and the words of Paula Tatarunis whose provocative commentary complements the music on three cuts. In times when people seem reluctant to take stands on important issues, this release is a breath of badly needed fresh air. Hip, thought-provoking, and outstanding music from this powerful Jazz orchestra.
Catalog Number: Cadence Jazz Records 1204
Untying the StandardJoel Press (Primary), Kyle Aho (Piano)Counterpoint and harmony are in nice relief on this duo recording. In the past, veteran Joel Press' recordings have garnered serious critical praise. Not one who records frequently, any release by Press is an occasion of note. Here he is joined once again by Kyle Aho's most inventive piano on a program that offers a fresh approach, primarily to standards. Stylistically there are elements from ...
Catalog Number: Cadence Jazz Records 1202
For The ChildrenMichael Jefry Stevens (Piano), David Schnitter (Saxophone), Dominic Duval (Bass), Jay Rosen (Drums)This recording is part of the Cadence Jazz Historical Series. This was outstanding music back when it was recorded in the mid 1990s; and it remains so today. The only difference now is the significance and early placement in the discographies of the individual artists who are now leaders in the field of creative improvised music. Exciting, demanding, and rewarding listening.
Catalog Number: Cadence Jazz Records 1200
Trio X: Roulette at Location OneTrio X (Primary), Joe McPhee (Soprano Saxophone), Jay Rosen (Drums), Dominic Duval (Bass)Trio X first worked together as part of a 1998 CIMPhonia (CIMP 175 and 178) gathering with Paul Smoker, Mark Whitecage, David Prentice, and Peter Kowald from which they carved out their group, Trio X, and made their first recording (The Watermelon Suite, CIMP 183).
Roulette at Location One is their eighth recording and the latest release.
This session is a beautiful representation of Trio X's brilliant use of theme developoment, emotional impact, and thoughtful musicality. It's a hell of a ride.
Catalog Number: Cadence Jazz Records 1200
Trio X: Roulette at Location OneTrio X (Primary), Joe McPhee (Soprano Saxophone), Jay Rosen (Drums), Dominic Duval (Bass)Trio X first worked together as part of a 1998 CIMPhonia (CIMP 175 and 178) gathering with Paul Smoker, Mark Whitecage, David Prentice, and Peter Kowald from which they carved out their group, Trio X, and made their first recording (The Watermelon Suite, CIMP 183).
Roulette at Location One is their eighth recording and the latest release.
This session is a beautiful representation of Trio X's brilliant use of theme developoment, emotional impact, and thoughtful musicality. It's a hell of a ride.
Catalog Number: Cadence Jazz Records 1197
Catalog Number: Cadence Jazz Records 1197
Catalog Number: Cadence Jazz Records 1194
PandemoniumBarry Wallenstien (Primary), John Hicks (Piano), Curtis Lundy (Bass), Vincent Chancey (French Horn), Daniel Carter (Saxophone), Serge Pesce (Guitar), Barry Wallenstein (Vocals)Barry Wallenstein is both a poet (he wrote the text on these fifteen cuts), a voice (his is the distinctive and warm voice heard here), and a player (dig how his texts, delivery, and coloring integrate within the septet). This is the second issue on Cadence Jazz Records for this much-honored poet whose other recorded collaborations over the past 30 years have included Stanley Cowell, Charles Tyler, and Arthur Blythe. Barry's poetry speaks warmly of hard things and over the course of the program conveys a range of emotions, all very human, all very believable. A 20-page booklet with full text accompanies this exceptional work. Easily accessible to both those who appreciate unhackneyed prose and poetry as well as those who appreciate uncompromised improvised music.
Catalog Number: Cadence Jazz Records 1190
We're Comin' Just One TimeThe Gauci Trio (Primary), Stephen Gauci (Tenor Saxophone), Terence Murren (Bass), Jeremy Carlstedt (Drums)Stephen Gauci took years to develop into the formed and distinct tenor saxist he is. After years of no documentation, Stephen has come on strong in 2004/05. This work falls chronologically between his first Cadence Jazz release (#1180 - Long Night Waiting) and his recent CIMP date (#326 - First, Keep Quiet). Both recordings have received notable critical acclaim as well as attention from other improvising musicians.
To say that we have received calls from musicians almost demanding to know if "he's as good as or different as it seems" would not be an exaggeration. On this CD Stephen investigates the relationship between freedom and form.
Catalog Number: Cadence Jazz Records 1188
Don't Count On GloryLindsey Horner (Bass), Jeff Berman (Percussion), Uri Caine (Piano), Jim DiSpirito (Percussion), Marty Ehrlich (Saxophone), Colter Harper (Guitar), Neal Kirkwood (Piano), Brian Lynch (Trumpet), Pete McCann (Guitar), Allison Miller (Drums), Ben Opie (Saxophone), Bobby Previte (Drums), Lou tellute (Saxophone), Eric Susoeff (Guitar), Dave Throckmorton (Drums), Lieven Venken (Drums)Lindsey Horner is best known as a bassist (though his reeds make an appearance on this date) who's been one of the players in the thick of the post '70s New York improvising scene. But for those who have followed his own releases, it's clear that his is a rather distinct color from most of his colleagues. This recording was a few years in the making, but as Bob Rusch says in the program notes, "...this is the logical point Lindsey’s music has been moving toward...and is his most idiomatically realized to date." Emotional and intellectual depth unite here, making good music great music.
Catalog Number: Cadence Jazz Records 1188
Don't Count On GloryLindsey Horner (Bass), Jeff Berman (Percussion), Uri Caine (Piano), Jim DiSpirito (Percussion), Marty Ehrlich (Saxophone), Colter Harper (Guitar), Neal Kirkwood (Piano), Brian Lynch (Trumpet), Pete McCann (Guitar), Allison Miller (Drums), Ben Opie (Saxophone), Bobby Previte (Drums), Lou tellute (Saxophone), Eric Susoeff (Guitar), Dave Throckmorton (Drums), Lieven Venken (Drums)Lindsey Horner is best known as a bassist (though his reeds make an appearance on this date) who's been one of the players in the thick of the post '70s New York improvising scene. But for those who have followed his own releases, it's clear that his is a rather distinct color from most of his colleagues. This recording was a few years in the making, but as Bob Rusch says in the program notes, "...this is the logical point Lindsey’s music has been moving toward...and is his most idiomatically realized to date." Emotional and intellectual depth unite here, making good music great music.
Catalog Number: Cadence Jazz Records 1186
In FinlandJoe McPhee (Soprano Saxophone), Matthew Shipp (Piano), Dominic Duval (Bass)Wow! What a trio. If nothing else, on paper it looks interesting, albeit problematic. Well, that's what we thought. Much to our surprise we were bowled over by the music this improbable grouping produced. Three giants of uncompromised creative improvising music come together and in every way justify their reputations and then go on to produce a musical program that exceeds the sum of its illustrious parts. This is a very special result from an unexpected occasion.
Catalog Number: Cadence Jazz Records 1184
Jack RabbittDon Menza (Tenor Saxophone), Bobby Jones (Hammond B3 Organ), John Bacon (Drums)Here's an unpretentious gathering by three congenial artists who have been working together for years. Giving fresh reference to the classic tenor-B3-rhythm combos of the previous generation, this timeless music is not about bombast but about hard swing and groove.
Catalog Number: Cadence Jazz Records 1182
How's The Horn Treating You?Joel Press (Tenor Saxophone), Kyle Aho (Piano), Jeremy Allen (Bass), Richie Barshay (Drums)Joel Press is a rarely recorded veteran of the creative music scene. Even so, he is equal to the best. Here he deconstructs a Lestorian nuance combined with a Websterian matter-of-fact-ness. Joel Press is an absolute master of the emotive understatement. He joins the Kyle Aho trio (Press has previously worked in duo with Aho), a group quite solid in its own right. Reflective and evocative.
Catalog Number: Cadence Jazz Records 1182
How's The Horn Treating You?Joel Press (Tenor Saxophone), Kyle Aho (Piano), Jeremy Allen (Bass), Richie Barshay (Drums)Joel Press is a rarely recorded veteran of the creative music scene. Even so, he is equal to the best. Here he deconstructs a Lestorian nuance combined with a Websterian matter-of-fact-ness. Joel Press is an absolute master of the emotive understatement. He joins the Kyle Aho trio (Press has previously worked in duo with Aho), a group quite solid in its own right. Reflective and evocative.
Catalog Number: Cadence Jazz Records 1180
Long Night WaitingStephen Gauci (Tenor Saxophone), Mike Bisio (Bass), Jay Rosen (Drums)Tenor saxophonist Stephen Gauci is a new name, but one which you'll hear more of this year. Focused and dynamic, this July 2004 date pre-dates his recent CIMP (#323) work with the Mike Bisio quartet. Here he's in a free blowing situation. Free blowing perhaps, but?as the seven tracks prove?not without purpose.
Catalog Number: Cadence Jazz Records 1179
For Sale: Five Million CashDavid Haney (Piano), Julian Priester (Trombone)Here is a collaboration that, for a number of years, has been active‚and it shows. There is an intuitive interplay between these two as they present a live recording of 10 unhurried improvisations in a moving display of statement, tension, and space, all combining to make beautiful music sure to calm and inspire deeply.
Catalog Number: Cadence Jazz Records 1178
GenesisMat Marucci (Drums), Markus Burger (Piano), John Tchicai (Tenor Saxophone), Doug Webb (Tenor Saxophone), Adam Lane (Bass), Steve Gundhi (Alto Saxophone), Tony Passarell (Baritone Saxophone), Steve Roach (Trumpet), John Allen (Percussion), Fred Randolph (Bass)Mat Marucci and Markus Burger began collaborating in 2002. Their concepts are wide and full as this varied, but whole, work proves. Solid playing and complete compositions manage to make the 11 parts of the CD hang together as a satisfying complete suite.
Catalog Number: Cadence Jazz Records 1178
GenesisMat Marucci (Drums), Markus Burger (Piano), John Tchicai (Tenor Saxophone), Doug Webb (Tenor Saxophone), Adam Lane (Bass), Steve Gundhi (Alto Saxophone), Tony Passarell (Baritone Saxophone), Steve Roach (Trumpet), John Allen (Percussion), Fred Randolph (Bass)Mat Marucci and Markus Burger began collaborating in 2002. Their concepts are wide and full as this varied, but whole, work proves. Solid playing and complete compositions manage to make the 11 parts of the CD hang together as a satisfying complete suite.
Catalog Number: Cadence Jazz Records 1175
With Don Messina & Bill ChattinJon Easton (Piano), Don Messina (Bass), Bill Chattin (Drums)Pianist Jon Easton is a former student of Lennie Tristano and subsequently worked for ten years with Sal Mosca. Jon met drummer Bill Chattin in the 1970's, when Bill was also a student of Tristano. Bassist Don Messina began working with Jon and Bill in 1985. Over the past two decades this trio has assimilated the freedom of the Tristano abstraction into an intuitive unit which enables it to extend lines and imagination without losing touch with a more traditional structure as evidenced by the giving of new life, energy, and challenge to the nine standards found on this release.
Catalog Number: Cadence Jazz Records 1171
SegmentsJohn Hagen (Tenor Saxophones), Denman Maroney (Piano), Mark Dresser (Bass), Shanir Blumenkranz (Bass), Gerry Hemingway (Drums), Todd Capp (Drums)A professional musician since the early 1970s and a former student of a number of people, ranging from Jimmy Cheatham and Randy Sandke to Warne Marsh and Bill Dixon, it's surprising that this is Mr. Hagen's first release under his own leadership in 54 years. And in listening to the 15 little gems that make up this work, the surprises keep coming. This is a saxophonist who will draw in the listener with his emotive, logically constructed, and powerful statements. Fifteen cuts: a marvel in concise statements and, while unknown, not undeserving of your attention. Art—not hype.
Catalog Number: Cadence Jazz Records 1170
Opening The GatesJames Finn (Tenor Saxophone), Dominic Duval (Bass), Whit Dickey (Drums)The debut of a new tenor voice. Logical, meaty and powerful, this post Bop offering was originally intended as a demo, but when CIMP producer Robert Rusch heard it, he decided not only to release it, but signed on Finn to a future CIMP session this Spring. Here is a taste of what's to come.
Catalog Number: Cadence Jazz Records 1169
All The NotesCecil Taylor (Piano), Dominic Duval (Bass), Jackson Krall (Drums)All the notes here are in the music, not in the liners. This is the concert that Minnesotans have been speaking about since 2000. This massive 3 part improvisations featuring Mr. Taylor with his trio of the past 10 years finds them at the top of their game. An important document and a memorable night.
Improvisation I - Improvisation II - Improvisation III.
Catalog Number: CJR Records 1168
Rapt CirclePatrick Brennan (Alto Saxophone), Hilliard Greene (Bass Viol), Newman Taylor Baker (Trap Drums), Juma Santos Ayantola (Dun Dun, Congas, Bell Tree), Sonic Openings Under Pressure (Group)Patrick Brennan calls "metagroove...a synthesis of juxtapositions of contrasting grooves" creating an overall groove. We'd call it a hip dialogue built off (talking) drums projecting light where there is none through interactive improvisation. Or you could just sit back and enjoy the expositions and declarations of these fine improvising minds. Recorded live in June 2002 at the Montreal Jazz Fest and the Vision Fest.
Catalog Number: Cadence Jazz Records 1167
Red SnapperPaul Murphy (Percussion), Jimmy Lyons (Alto Saxophone), Dewey Johnson (Trumpet), Karen Borca (Bassoon), Mary Anne Driscoll (Piano)After being one of the more active members of the New York New Jazz scene in the '70s and '80s, Paul Murphy dipped a bit below the radar. During the last of the '90s he again began to reactivate, leading and supporting on a number of select sessions. This is an historic date that is just now being issued. It is proof positive how high Paul's groups were setting the bar back when...Great music then, great music now.
Catalog Number: Cadence Jazz Records 1166
Intuitive StructuresKevin Norton (Drums), Louie Belogenis (Tenor Saxophone), Tomas Ulrich (Cello), John Lindberg (Bass)In his liner notes, Kevin Norton comments on the music that "the focus continually changes, but all these changes are improvised"; a great example of improvising teamwork, concerned with total sonic result (and not "where do I get my solo in?"). These are some of the leader's most engaging compositions, for quintet that has both power and finesse.
Catalog Number: Cadence Jazz Records 1163
You Must Believe In SwingMarc Pompe (Vocals), Joey Defrancesco (Hammond B-3), Henry Johnson (Guitar), Byron Landham (Drums), Curt Warren (Guitar), Judy Roberts (Piano)Marc Pompe is a distinct and memorable singer. he's been at it for over 50 years, but had scarce documentation. More concerned with the art than the commerce, Mr. Pompe, Cadence Records, and CIMP Records have set about to rectify the situation with a series of 3 recordings to be released over the next handful of months.
You Must Believe in Swing is simply a great recording. And if you're a fan of the art of the Jazz singer - give this a try. With 2 more releases to follow, you know we stand behind Marc Pompe's artistry.
Catalog Number: Cadence Jazz Records 1163
You Must Believe In SwingMarc Pompe (Vocals), Joey Defrancesco (Hammond B-3), Henry Johnson (Guitar), Byron Landham (Drums), Curt Warren (Guitar), Judy Roberts (Piano)Marc Pompe is a distinct and memorable singer. he's been at it for over 50 years, but had scarce documentation. More concerned with the art than the commerce, Mr. Pompe, Cadence Records, and CIMP Records have set about to rectify the situation with a series of 3 recordings to be released over the next handful of months.
You Must Believe in Swing is simply a great recording. And if you're a fan of the art of the Jazz singer - give this a try. With 2 more releases to follow, you know we stand behind Marc Pompe's artistry.
Catalog Number: Cadence Jazz Records 1162
Foward EnergyJim Ryan (Saxophone), Alicia Mangan (Tenor Saxophone), Scott R. Looney (Piano), Adam Lane (Contrabass), Marshall Trammell (Drums)Jim Ryan is a creative and catalytic force in the San Francisco Bay Area. His music has a passion and, yes, a forward energy which would put artists a third his age to shame. Here he brings his energized group together to stretch out for 5 tracks on what is arguably his finest and fullest recorded display of his music. This is intense music and unrelenting interplay. It’s a lot of listening here—over 70 minutes that will take you hours to absorb and with wonderful features from all.
Catalog Number: Cadence Jazz Records 1161
The Welsh ChapelFrode Gjerstad (Alto Saxophone), John Edwards (Bass), Mark Sanders (Drums)This is Frode Gjerstad's 8th Cadence Jazz Records release, every one of them distinct and refreshing. This CD, recorded in a Welsh chapel over a five hour period, finds Frode playing with fresh nuance and renewed passion. To say he is the most dynamic free improviser in Norway is a qualifier this world-class saxman has long outgrown.
Catalog Number: Cadence Jazz Records 1159
This NowSteve Swell (Trombone), Jemeel Moondoc (Alto Saxophone), Matt Lavelle (Trumpet), Cooper Moore (Piano), Wilber Morris (Bass), Kevin Norton (Drums)Steve Swell’s Unified Theory of Sound is a case of strength on strength. The force of Steve’s trombone styling and compositions is beautifully complemented and integrated by this exceptional grouping. POWerful music, recorded live in New York City. A generous helping of listening substance.
Catalog Number: CJR 1153
In, Thru, and OutHiro Honshuku (Flute), Jim Hobbs (Alto Saxophone), Jeff Hudgins (Alto Saxophone), Phil Scarff (Tenor Saxophone), Hans Indigo (Baritone Saxophone), Mike Peipman (Trumpet), Keiichi Hashimoto (Trumpet), Jim Mosher (French Horn), Bob Pilkington (Trombone), David Harris (Trombone), Jim Gray (Tuba), Rebecca Shrimpton (Voice), Art Bailey (Piano), Norm Zocher (Guitar), Rick McLaughlin (Acoustic Bass), Rich Greenblatt (Vibraphone), Harvey Wirht (Drums), Taki Masuko (Percussion), Darrell Katz (Composer), Laura Andel (Composer), Warren Senders (Composer)The Jazz Composers Alliance Orchestra outdoes itself on this release, creating large music carefully detailed and with climaxes worthy of the talents of this 18-piece ensemble. Included in the program is the tribute, “Hemphill,” a 4-part opus celebrating the spirit of Julius Hemphill. A big band with big concepts executed by big talents.
Catalog Number: CJR 1153
In, Thru, and OutHiro Honshuku (Flute), Jim Hobbs (Alto Saxophone), Jeff Hudgins (Alto Saxophone), Phil Scarff (Tenor Saxophone), Hans Indigo (Baritone Saxophone), Mike Peipman (Trumpet), Keiichi Hashimoto (Trumpet), Jim Mosher (French Horn), Bob Pilkington (Trombone), David Harris (Trombone), Jim Gray (Tuba), Rebecca Shrimpton (Voice), Art Bailey (Piano), Norm Zocher (Guitar), Rick McLaughlin (Acoustic Bass), Rich Greenblatt (Vibraphone), Harvey Wirht (Drums), Taki Masuko (Percussion), Darrell Katz (Composer), Laura Andel (Composer), Warren Senders (Composer)The Jazz Composers Alliance Orchestra outdoes itself on this release, creating large music carefully detailed and with climaxes worthy of the talents of this 18-piece ensemble. Included in the program is the tribute, “Hemphill,” a 4-part opus celebrating the spirit of Julius Hemphill. A big band with big concepts executed by big talents.
Catalog Number: CJR 1153
In, Thru, and OutHiro Honshuku (Flute), Jim Hobbs (Alto Saxophone), Jeff Hudgins (Alto Saxophone), Phil Scarff (Tenor Saxophone), Hans Indigo (Baritone Saxophone), Mike Peipman (Trumpet), Keiichi Hashimoto (Trumpet), Jim Mosher (French Horn), Bob Pilkington (Trombone), David Harris (Trombone), Jim Gray (Tuba), Rebecca Shrimpton (Voice), Art Bailey (Piano), Norm Zocher (Guitar), Rick McLaughlin (Acoustic Bass), Rich Greenblatt (Vibraphone), Harvey Wirht (Drums), Taki Masuko (Percussion), Darrell Katz (Composer), Laura Andel (Composer), Warren Senders (Composer)The Jazz Composers Alliance Orchestra outdoes itself on this release, creating large music carefully detailed and with climaxes worthy of the talents of this 18-piece ensemble. Included in the program is the tribute, “Hemphill,” a 4-part opus celebrating the spirit of Julius Hemphill. A big band with big concepts executed by big talents.
Catalog Number: CJR 1153
In, Thru, and OutHiro Honshuku (Flute), Jim Hobbs (Alto Saxophone), Jeff Hudgins (Alto Saxophone), Phil Scarff (Tenor Saxophone), Hans Indigo (Baritone Saxophone), Mike Peipman (Trumpet), Keiichi Hashimoto (Trumpet), Jim Mosher (French Horn), Bob Pilkington (Trombone), David Harris (Trombone), Jim Gray (Tuba), Rebecca Shrimpton (Voice), Art Bailey (Piano), Norm Zocher (Guitar), Rick McLaughlin (Acoustic Bass), Rich Greenblatt (Vibraphone), Harvey Wirht (Drums), Taki Masuko (Percussion), Darrell Katz (Composer), Laura Andel (Composer), Warren Senders (Composer)The Jazz Composers Alliance Orchestra outdoes itself on this release, creating large music carefully detailed and with climaxes worthy of the talents of this 18-piece ensemble. Included in the program is the tribute, “Hemphill,” a 4-part opus celebrating the spirit of Julius Hemphill. A big band with big concepts executed by big talents.
Catalog Number: CJR 1151
Live in ParisJemeel Moondoc (Saxophone), Cody Moffett (Drums), William Parker (Bass), Roy Campbell, Jr. (Trumpet), Zane Massey (Tenor Saxophone)Finally - Jemeel in a small group with another saxman. If you expect the possiblity of excellence from Mr. Moondoc (and you know that Cadence issues only the finest, relative to an artist's work) then those expectations not only will be high for this live date but they also will be more than adequately met.
Catalog Number: CJR 1148
One Eyed JackJoseph Scianni (Piano), Blaise Siwula (Alto Saxophone), Ken Filiano (Bass), Hal Onserud (Bass)that Joseph Scianni is a phenomenal pianist can be shown by the first 5 records he has made over his 73 years. "One-Eyed Jack" is his 6th recording and has him in solo, duo, and trio settings with Blaise Siwula and Ken Filiano over a program of originals and standards. Both lyrical and demanding, this is music to engage both the mind and heart and gives us the added bonus of Siwula, Onserud, and Filiano: creative masters equal to the task.
Catalog Number: CJR 1147
EnarrePaul Murphy (Drums), Joel Futterman (Piano), Kash Killion (Cello)After too many years of relative obscurity, Paul Murphy is beginning to re-emerge as a profound voice in new music. Here he unites with Joel Futterman and Kash Killion for riveting interplay over 5 tracks. This is the beginning of an association between Paul Murphy's uncompromised music and Cadence/CIMP Records with more extraordinary developments to come.
Catalog Number: CJR 1145
Music from a Passionate TimeJoel Press (Soprano Saxophone), Gwendolyn Watson (Cello)Joel Press' music for "A Passionate Time" are historical recordings of collaborations with cellist Gwendolyn Watson and multi-reedist Joel Press. Utilizing multi-tracking and electronics, the music was meant as a complement to choreographers and filmmakers and reflects, as Mr. Press writes in his incisive liners, "a period dominated by the aesthetic innovations of that most passionate of times: the 1960s."
Originally presented by John Hammond to Columbia Records, they were unconvinced of its sales potential and confused by its non-specific genre category. We were not confused; we know its sales potential and its value as evocative music.
Catalog Number: CJR 1144
TrioX: In Black and White: On Tour...Ann Arbor/NYCJoe McPhee (Saxophone), Dominic Duval (Bass), Jay Rosen (Drums)Trio-X: what can we say? McPhee, Duval & Rosen, like few others, know how to cut to the zone of inspired improvisation and start this inspired interaction at a level most are happy to achieve. And from there they go deeper.
Their latest on-tour recording finds them in Ann Arbor, Michigan, and New York City, New York. "God Bless the Child," "'Round Midnight," and "Going Home" are just some of the vehicles used in this jaw-dropping excursion.
Catalog Number: CJR 1144
TrioX: In Black and White: On Tour...Ann Arbor/NYCJoe McPhee (Saxophone), Dominic Duval (Bass), Jay Rosen (Drums)Trio-X: what can we say? McPhee, Duval & Rosen, like few others, know how to cut to the zone of inspired improvisation and start this inspired interaction at a level most are happy to achieve. And from there they go deeper.
Their latest on-tour recording finds them in Ann Arbor, Michigan, and New York City, New York. "God Bless the Child," "'Round Midnight," and "Going Home" are just some of the vehicles used in this jaw-dropping excursion.
Catalog Number: CJR 1143
Catalog Number: CJR 1142
Catalog Number: CJR 1137
In The SunlightBob Magnuson (Soprano Saxophone), Tom DeSteno (Drums), Cameron Brown (Bass), Jason Hwang (Violin), Rolf Sturm (Guitar), Ed Neumeister (Trombone), Scott Healy (Piano), Gary Guzio (Trumpet), Eric Goletz (Trombone)This is an odd one for Cadence Jazz and the Magnuson-Desteno duo. Electronics, synthesizers, even a suggestion of fusion. But musically it has integrity and all the parts hang together (tracks range from under a minute to over 17 minutes) to produce a haunting whole that’s greater than the sum of its parts.
Catalog Number: CJR 1136
Caramel Topped TerrierDavid Haney (Piano), Julian Priester (Trombone), Wilbert de Joode (Bass), Han Bennink (Drums)This offers the best of the early documentation of David Haney’s work. Haney is an original whose handling of abstraction and line has a few roots in the unusual lineage of improvisation. Still deeply moving and refreshing in its unique approach.
Catalog Number: CJR 1134
Trio X: on tour...toronto/rochesterJoe McPhee (Saxophone), Dominic Duval (Bass), Jay Rosen (Drums)Hey, it’s Trio X. Tried, true, and wonderful.
Catalog Number: CJR 1134
Trio X: on tour...toronto/rochesterJoe McPhee (Saxophone), Dominic Duval (Bass), Jay Rosen (Drums)Hey, it’s Trio X. Tried, true, and wonderful.
Catalog Number: CJR 1133
Full Throttle OrchestraVijay Anderson (Drums), Aaron Bennett (Tenor Saxophones), Myles Boisen (Electric Guitar), Jeff Chan (Tenor Saxophone), John Finkbeiner (Electric Guitar), Darren Johnston (Trumpet), Adam Lane (Bass)This is the follow-up to Adam’s amazing recording debut on Cadence Jazz 1104, Hollywood Wedding. Today many have come to expect brilliance from Mr. Lane, but, after listening to the first two Cadence recordings, obviously it was all in place by the end of the 1990s.
Catalog Number: CJR 1133
Full Throttle OrchestraVijay Anderson (Drums), Aaron Bennett (Tenor Saxophones), Myles Boisen (Electric Guitar), Jeff Chan (Tenor Saxophone), John Finkbeiner (Electric Guitar), Darren Johnston (Trumpet), Adam Lane (Bass)This is the follow-up to Adam’s amazing recording debut on Cadence Jazz 1104, Hollywood Wedding. Today many have come to expect brilliance from Mr. Lane, but, after listening to the first two Cadence recordings, obviously it was all in place by the end of the 1990s.
Catalog Number: CJR 1132
Mainstream ExtensionsJoel Press (Tenor Saxophone), Gray Sargent (Guitar), Marshall Wood (Bass), Bob Savine (Drums), Marty Ballou (Bass)To quote from the liners, “I was affected by this music, not because of any radical or avant approach, but because it moved with a rhythm that seemed natural and it spoke with a direct honesty and made statements with substance; old container, fresh vintage, if you will.” A recording of beautiful mainstream music from every consideration.
Catalog Number: CJR 1127
Primal IntentionsMike Bisio (Bass), Joe Giardullo (Bass Clarinet)Another in a series of Mike Bisio duet encounters. This explores with considerable fluency both the structure and abstraction of Free improvisation in a session that offers up a broad range of emotional coloring.
Catalog Number: CJR 1125
The FlowGal Ziv (Guitar), Don Braden (Tenor Saxophone), Joris Teepe (Bass), Vito Lesczak (Drums), Emanuelle Somer (Oboe)This was the debut of a promising guitarist/composer who soon after went into film work/making. Film’s gain is Jazz’s loss but fortunately for Jazz fans we will always have the flow, sweetheart. A thoughtful, structured, and understated Bop date.
Catalog Number: CJR 1124
Tony's BluesBarry Wallenstein (Voice), John Hicks (Piano), Jay Leonhart (Bass), Michael Leonhart (Trumpet), Vincent Chancey (French Horn), Evan Hause (Guitar)Barry Wallenstein’s poetry is fun, thoughtful, warm, and very human. His ability to integrate his speaking voice into the musicality of the whole makes this a recording of musical poetry. Twenty-two cuts plus a 20-page book of notes and text.
Catalog Number: CJR 1124
Tony's BluesBarry Wallenstein (Voice), John Hicks (Piano), Jay Leonhart (Bass), Michael Leonhart (Trumpet), Vincent Chancey (French Horn), Evan Hause (Guitar)Barry Wallenstein’s poetry is fun, thoughtful, warm, and very human. His ability to integrate his speaking voice into the musicality of the whole makes this a recording of musical poetry. Twenty-two cuts plus a 20-page book of notes and text.
Catalog Number: CJR 1120
BadlandsBlaise Siwula (Alto Saxophone), Vattel Cherry (Bass), Jeff Arnal (Drums)Blaise Siwula has one of the most distinct sounds on Jazz sax. This date alternates between 6 trio tracks, live at the Knitting Factory, with 6 solo outings. It is both contemplative and beautiful and one of Blaise’s most distinctive releases.
Catalog Number: CJR 1119
CompilationBill Barron (Tenor Saxophone), Fred Simmons (Piano), Bill Lowe (Tuba), Wes Brown (Bass), Ed Blackwell (Drums), Jay Hoggard (Vibes)Bill Barron was one of the shakers and shapers of the post Bop revolution, an unassuming and brilliant musician. He moved into academia and remains generally overlooked as one of the period’s greats. This material from the late maestro’s archives was handpicked by his wife, Anna.
Catalog Number: CJR 1118
CongenialityMitch Seidman (Guitar), Charlie Kohlhase (Alto Saxophone), Jeff Galindo (Trombone)What an odd set of instruments for a trio: guitar, sax, and trombone. Odd, but the musicality is undeniable as they ramble through 9 tracks of material by Monk, Hemphill, Mangelsdorff, Basie, and originals from Galindo and Kohlhase. And it all seems so natural that one can ignore the challenge if one so chooses. But this will delight those who like to be engaged by music.
Catalog Number: CJR 1117
Knudstock 2000Herb Robertson (Cornet), Frank Grasso (Piccolo Trumpet), Steve Swell (Trombone), Bob Hovey (Trombone), Bob Ackerman (Flute), Knud Jensen (Tenor Saxophone), Jim Hart (Guitar), Hans Tammen (Guitar), Chris Lough (Contrabass), Tom Sayek (Drums), Herb Fisher (Drums)This was one of the many informal jams a group of improvisers engaged in at Knud’s place in New Jersey. A musician’s jam for musicians. This one was recorded and its dynamic unpretentious self is here as presented. Included are some delightful background notes by the artists themselves.
Catalog Number: CJR 1116
Just PeaceRosella Clemmons Washington (Vocals), Bill Meek, Jr. (Keyboards), Dawn Crist (Keyboards), Tyrone Brown (Bass), Dave Brown (Drums), Grover Washington, Jr. (Tenor Saxophone), John Blake (Violin), Cecil Bridgewater (Trumpet)As the liners detail this was an imperfect date in that, shall we say, the recording mechanics were skewed and flawed. But what is evident is the exceptional voice of Rosella Washington in her debut release. Fortunately some things can be “redone,” as was the case here due to the unfortunate death of Grover Washington. But even so this is a phenomenal record of memorable music unforgettably delivered by Ms. Washington. A true case of perfect imperfection.
Catalog Number: CJR 1111
Cries and WhispersDominic Duval (Hutchins Bass), Joe McPhee (Tenor Saxophone), Mark Whitecage (Alto Saxophone), Jason Hwang (Violin), Tomas Ulrich (Violin Cello)This is a 7-part improvisation recorded at The Knit. With this quartet line-up of exempler improvisers, the odds are good that this will be dynamic and thoughtful music. The odds are right.
Catalog Number: CJR 1111
Cries and WhispersDominic Duval (Hutchins Bass), Joe McPhee (Tenor Saxophone), Mark Whitecage (Alto Saxophone), Jason Hwang (Violin), Tomas Ulrich (Violin Cello)This is a 7-part improvisation recorded at The Knit. With this quartet line-up of exempler improvisers, the odds are good that this will be dynamic and thoughtful music. The odds are right.
Catalog Number: CJR 1109
GroundworkJoe Rosenberg (Soprano Saxophone), Jean-Luc Guionnet (Alto Saxophone), Olivier Py (Tenor Saxophone), Eric Jacot (Bass), Sylvian Clavier (Drums)Joe Rosenberg is a bit of a citizen of the world who, from time to time, issues a recording of music which reflects his independent nature and mindful ways. It’s hard to tie his music to any particular school other than generally Bop-post Bop, but it is always marked by thought and structured focus.
Catalog Number: CJR 1109
GroundworkJoe Rosenberg (Soprano Saxophone), Jean-Luc Guionnet (Alto Saxophone), Olivier Py (Tenor Saxophone), Eric Jacot (Bass), Sylvian Clavier (Drums)Joe Rosenberg is a bit of a citizen of the world who, from time to time, issues a recording of music which reflects his independent nature and mindful ways. It’s hard to tie his music to any particular school other than generally Bop-post Bop, but it is always marked by thought and structured focus.
Catalog Number: CJR 1107
AnahadPaul Flaherty (Alto Saxophone), Randall Colbourne (Drums), Mike Murray (Guitar), James "Chumly" Hunt (Trumpet), Richard Downs (Bass)Flaherty and Colbourne—the dynamic duo—open things up a bit and venture into quintet land. But there are no concessions. Still dynamic, structured, but totally Free Form improvisation.
Catalog Number: CJR 1106
RaptureJoe McPhee (Saxophone), Jay Rosen (Drums), Dominic Duval (Bass), Rosi Hertlein (Violin)Trio X does not have guests very often, but here is Rosi Hertlein whose remarkable violin and voice bring a most exciting texture and punctuation to the music. It’s live and of the moment and lucky to be caught.
Catalog Number: CJR 1106
RaptureJoe McPhee (Saxophone), Jay Rosen (Drums), Dominic Duval (Bass), Rosi Hertlein (Violin)Trio X does not have guests very often, but here is Rosi Hertlein whose remarkable violin and voice bring a most exciting texture and punctuation to the music. It’s live and of the moment and lucky to be caught.
Catalog Number: CJR 1105
The Dream BookJoe McPhee (Alto Saxophone), Dominic Duval (Hutchins Bass)The first in a series of duets by two thirds of the Trio X group. The inspiration here is Ornette with each of the 7 tunes dedicated to different members of his various groups.
Catalog Number: CJR 1104
Hollywood WeddingAdam Lane (Bass), Lynn Johnston (Reeds), Brian McFadin (Tenor Saxophone), Eddie Felix (Reeds), James King (Reeds), Todd M. Simon (Trumpet), Josef Leimberg (Trumpet), Mark Chung (Violin), Art Hirahara (Piano), Scott Ray (Trombone), Wadada Leo Smith (Trumpet)Quite simply one of the more impressive recording debuts. This was Adam’s first release in any manner: leader or sideman. His recording legacy began here and subsequent events have proved it was no fluke
Catalog Number: CJR 1104
Hollywood WeddingAdam Lane (Bass), Lynn Johnston (Reeds), Brian McFadin (Tenor Saxophone), Eddie Felix (Reeds), James King (Reeds), Todd M. Simon (Trumpet), Josef Leimberg (Trumpet), Mark Chung (Violin), Art Hirahara (Piano), Scott Ray (Trombone), Wadada Leo Smith (Trumpet)Quite simply one of the more impressive recording debuts. This was Adam’s first release in any manner: leader or sideman. His recording legacy began here and subsequent events have proved it was no fluke
Catalog Number: CJR 1103
UtteranceGlenn Spearman (Tenor Saxophone), John Heward (Drums)Glenn Spearman and John Heward had a quiet but fruitful musical relationship between 1990 up until 1998, when Glenn died. Two different personalities, their differences complemented one another. CIMP recorded their co-led group in 1997. After Glenn died John came across this duologue: a nice addition to both of their limited discographies.
Catalog Number: CJR 1102
A Sandole TrilogyDennis Sandole (Guitar), Al DelGovernatore (Piano), Wendell Marshall (Bass), Frank Young (Drums), Michael Grossman (Piano), John Stubblefield (Tenor Saxophone), Tony Garnier (Bass), Mike Clark (Drums)Dennis Sandole was a legendary Philadelphia-based guitarist, teacher, and guru to a host of eventual East Coast Jazz giants. These recordings were recovered from the dustbin of Mr. Sandole’s archives and cover his work between 1958 to 1991, and sadly, account for a good percentage of his available recorded legacy. As an added bonus, one track features the Michael Grossman-John Stubblefield-Tony Garnier-Mike Clark 4tet playing a Sandole composition.
Catalog Number: CJR 1098
Cecil Taylor Quartet - Qu'a Yuba: Live at the Iridium Vol. 2Cecil Taylor (Piano), Harri Sjostrom (Soprano Saxophone), Dominic Duval (Bass), Jackson Krall (Drums)The second volume documenting this rarely documented Cecil Taylor group live at The Iridium. Volume 1 is Cadence Jazz Records 1092.
Catalog Number: CJR 1097
Dominic Duval's String Ensemble - Live in ConcertJason Hwang (Violin), Tomas Ulrich (Cello), Dominic Duval (Hutchins Bass), Joe McPhee (Tenor Saxophone), Mark Whitecage (Clarinet)Dominic Duval is a monster musician and—arguably better than anyone else—has bridged the gap between notated and improvised music. Here his strong group is augmented by Joe McPhee and Mark Whitecage in a live performance at the Knitting Factory.
Catalog Number: CJR 1097
Dominic Duval's String Ensemble - Live in ConcertJason Hwang (Violin), Tomas Ulrich (Cello), Dominic Duval (Hutchins Bass), Joe McPhee (Tenor Saxophone), Mark Whitecage (Clarinet)Dominic Duval is a monster musician and—arguably better than anyone else—has bridged the gap between notated and improvised music. Here his strong group is augmented by Joe McPhee and Mark Whitecage in a live performance at the Knitting Factory.
Catalog Number: CJR 1094
The Free Form Improvisation EnsembleBurton Greene (Piano), Gary William Friedman (Alto Saxophone), Jon Winter (Flutes), Alan Silva (String Bass), Clarence Walker (Percussion)An artifact from the October Revolution days. This is music, thought lost, that captures the purity and innocence of those early and exciting days of the post Bop revolution. Extensive liner notes/dialogue from most of the participants give the background and perspective of music that needs no qualifier.
Catalog Number: CJR 1092
Qu'a: Live at the Irridium Vol. 1Cecil Taylor (Piano), Harri Sjostrom (Soprano Saxophone), Dominic Duval (Bass), Jackson Krall (Drums)The first of a two part release documenting a night at The Iridium. Aside from being a complete and powerful statement, this is one of the few recordings documenting this edition of Mr. Taylor’s group
Catalog Number: CJR 1091
BorealisFrode Gjerstad (Tenor Saxophone), Didrik Ingvaldsen (Trumpet), Oyvind Torvund (Guitar), Oyvind Storesund (Acoustic Bass), John Lilja (Acoustic Bass), Endre Landsnes (Drums), Paal Nilssen-Love (Drums)Here’s Frode with his large group. As the liners say, “Each Frode Gjerstad date has its own concept of focus and addresses itself freshly to those terms.” So say the liners. So says the music.
Catalog Number: CJR 1085
Bottoms OutScott Miller (Composer), Joe Fonda (Bass), Kevin Norton (Drums), Michael J. Stevens (Piano), Mark Whitecage (Alto Saxophone), David Bindman (Clarinet), David Schumacher (Baritone Saxophone), Robert DeBellis (Baritone Saxophone), Sam Furnace (Baritone Saxophone), Steve Swell (Trombone), Jim Leff (Trombone)Scott Miller and Joe Fonda brought together this potent ensemble, sort of a musicians’ workshop with, “A premise of the group that, in our music, there is an equal assertion of written composition and improvisation: The writing and the improvising are continuous and simultaneous throughout.” And “Though every member of Bottoms Out is a formidable soloist, the band is ultimately about a sense of ensemble.” The ensemble existed for a couple of years and was obviously an engaging unit, as witnessed by this sole issued document.
Catalog Number: CJR 1085
Bottoms OutScott Miller (Composer), Joe Fonda (Bass), Kevin Norton (Drums), Michael J. Stevens (Piano), Mark Whitecage (Alto Saxophone), David Bindman (Clarinet), David Schumacher (Baritone Saxophone), Robert DeBellis (Baritone Saxophone), Sam Furnace (Baritone Saxophone), Steve Swell (Trombone), Jim Leff (Trombone)Scott Miller and Joe Fonda brought together this potent ensemble, sort of a musicians’ workshop with, “A premise of the group that, in our music, there is an equal assertion of written composition and improvisation: The writing and the improvising are continuous and simultaneous throughout.” And “Though every member of Bottoms Out is a formidable soloist, the band is ultimately about a sense of ensemble.” The ensemble existed for a couple of years and was obviously an engaging unit, as witnessed by this sole issued document.
Catalog Number: Cadence Jazz Records 1084
In ConcertNoah Howard (Saxophone), Bobby Few (Piano), James Lewis (Bass), Calyer Duncan (Drums)One of the original cast of post Bop characters, here in concert at the Bimhuis with his longtime musical associate, the mesmerizing Bobby Few. Sit back and enjoy the unfolding.
Catalog Number: CJR 1081
Orkestra Kith 'n KinHans Reichel (Guitar), Thomas Borgmann (Soprano Saxophone), Lol Coxhill (Soprano Saxophone), Erik Balke (Sopraino Saxophone), Dietmar Diesner (Soprano Saxophone), Jonas Akerblom (Bass Saxophone), Martin Mayes (French Horn), Pat Thomas (Piano), Christoph Winckel (Bass), Mark Sanders (Drums)Wow. Big group, powerful personalities, led by the powerhouse, Mr. Borgmann. Perhaps it’s led by “Turning Loose”—contained within the structure of this extended work is fiery unrestrained playing. The CD concludes with some prime Lol Coxhill humor creations.
Catalog Number: CJR 1071
Ocean of Love and Mercy - A Passion SuiteDale Fielder (Soprano Saxophone), Brian Swartz (Trumpet), George Bohanon (Euphonium), Dan Weinstein (Trombone), Daniel Jackson (Tenor Saxophone), Jane Getz (Piano), Bill Markus (Bass), Thomas White (Drums), Taumbu (Congas)Dale Fielder is a powerful tenor man out of the mid Coltrane school. Here he brings together an 11-part suite recorded live with a nonet conducted by him, playing music he composed and arranged. All of which is only as impressive as the music is good. This is impressive.
Catalog Number: CJR 1068
DetailJohn Stevens (Percussion), Frode Gjerstad (Alto Saxophone), Kent Carter (Bass)Frode is arguably Scandinavia’s finest free jazz saxman. This was the last of the much heralded group, detail (John Stevens died four months later) and the first of a number of Frode’s recordings. As the liners attest, this is playing “with a world class elegance.”
Catalog Number: CJR 1065
Falling In Flat SpaceHerb Robertson (Trumpet), Dominic Duval (Bass), Jay Rosen (Drums)We were so impressed by this grouping we immediately decided to record it on CIMP (#110). Out of nothing much, this is what happens when you deal with improvisers who also listen. Sit back and enjoy the creations.
Catalog Number: CJR 1064
48 MotivesGeoff Brady (Percussion), Marilyn Grispell (Piano), Vincent Davis (Percussion), Stephen Dembski (Conductor), Scott Fields (Guitar), Joseph Jarman (Alto Saxophone), John Padden (Double Bass), Hans Sturm (Double Bass), Matt Turner (Cello)Scott Fields works in highly disciplined forms. Here it’s a modern day bolero. When we first heard this we were puzzled, but, by the end, pulled in and subdued by its subtle combinations of repetition and improvisation.
Catalog Number: CJR 1064
48 MotivesGeoff Brady (Percussion), Marilyn Grispell (Piano), Vincent Davis (Percussion), Stephen Dembski (Conductor), Scott Fields (Guitar), Joseph Jarman (Alto Saxophone), John Padden (Double Bass), Hans Sturm (Double Bass), Matt Turner (Cello)Scott Fields works in highly disciplined forms. Here it’s a modern day bolero. When we first heard this we were puzzled, but, by the end, pulled in and subdued by its subtle combinations of repetition and improvisation.
Catalog Number: CJR 1059
Emerging From The EarthBobby Zankel (Alto Saxophone), Stan Slotter (Trumpet), Tyrone Brown (Bass), John Blake (Violin), Uri Caine (Piano), Ralph Peterson, Jr. (Drums), Ron Howerton (Percussion)Bobby’s follow-up to CJR 1050: full of the passionate playing from this alto sax stylist along with his engaging originals, all wrapped up in another all-star group.
Catalog Number: CJR 1058
The Bitten MoonJon Hazilla (Drums), Ray Drummond (Bass), James Williams (Piano)(reissue) This is Jon Hazilla’s second leadership date and, like his first (CJR 1035), it’s an understated trio recording that packs a punch both in the choice of material and in the absolute focus of artistic brilliance. A standard but uncommonly good Bop trio outing. As for the leader (and believe us he is the leader), the Hazilla quality is all evident. Special note should be made of his brush work.
Catalog Number: CJR 1058
The Bitten MoonJon Hazilla (Drums), Ray Drummond (Bass), James Williams (Piano)(reissue) This is Jon Hazilla’s second leadership date and, like his first (CJR 1035), it’s an understated trio recording that packs a punch both in the choice of material and in the absolute focus of artistic brilliance. A standard but uncommonly good Bop trio outing. As for the leader (and believe us he is the leader), the Hazilla quality is all evident. Special note should be made of his brush work.
Catalog Number: CJR 1056
So Nice To Meet YouErnie Krivda (Saxophone), Joe Hunter (Piano), Mark Gondor (Drums), Paula Owen (Vocals), Bill Plavan (Bass), Val Kent (Drums), Chris Berger (Bass)It’s rare to hear Ernie Krivda not playing some of his fine originals but here he keeps it standard for the most part except for a couple of Paula Owen originals. Paula Owen is simply one of the best—as her prior Cadence Jazz recordings will attest. This is an interesting pairing and fans of these two distinct stylists will be intrigued by the meshing of their musical personas.
Catalog Number: CJR 1055
Between Speech & SongEric Pakula (Alto Saxophone), Pandelis Karayorgis (Piano), Jonathan Robinson (Bass), Eric Rosenthal (Drums), Mat Maneri (Electric Violin)What a lovely deliberative, quirky, and ruminative group. Even the standards suggest the genesis of inspiration. A fine example of the 1990’s emerging Boston creative improvised music scene.
Catalog Number: CJR 1054
Fat OnionsPaul Flaherty (Alto Saxophone), James "Chumly" Hunt (Trumpet), Mike Murray (Guitar), Randall Colbourne (Drums), Stephen Scholz (Violin), Richard Downs (Bass)Cadence Jazz was the first label to begin documenting the Paul Flaherty and Randy Colbourne partnership (1988/CJR 1042). This 1993 recording finds the pair in the unusual setting of a sextet. But fear not, there is no reining in of their explosive free form designs and yet they remain in concert with the group. Free Jazz with power and no apology.
Catalog Number: CJR 1053
DreamlandDarrell Katz (Conductor), Julius Hemphill (Alto Saxophone), John Carlson (Trumpet), Rob Scheps (Tenor Saxophone), Bob Pilkington (Trombone), Doug Johnson (Piano), David Harris (Trombone), W. Marshall Sealy (French Horn), Douglas Yate (Alto Saxophone), Mike Peipman (Trumpet), Rick Peckham (Guitar), Diana Herold (vibraphone), Andrew D'Angelo (Alto Saxophone), John Dirac (Guitar)Darrell Katz is an enigma to those who know him. Obsessed and driven by his musical visions, he’s managed to squeeze out a handful of recordings over the years while somehow maintaining a stable group in the Jazz Composers Alliance Orchestra. If you like music that’s engaging of both mind and pulse, this is—as are all of his recordings—a feast. Anyone who has played or come in contact with this too overlooked aggregation will agree it is a distinct occurrence.
Catalog Number: CJR 1053
DreamlandDarrell Katz (Conductor), Julius Hemphill (Alto Saxophone), John Carlson (Trumpet), Rob Scheps (Tenor Saxophone), Bob Pilkington (Trombone), Doug Johnson (Piano), David Harris (Trombone), W. Marshall Sealy (French Horn), Douglas Yate (Alto Saxophone), Mike Peipman (Trumpet), Rick Peckham (Guitar), Diana Herold (vibraphone), Andrew D'Angelo (Alto Saxophone), John Dirac (Guitar)Darrell Katz is an enigma to those who know him. Obsessed and driven by his musical visions, he’s managed to squeeze out a handful of recordings over the years while somehow maintaining a stable group in the Jazz Composers Alliance Orchestra. If you like music that’s engaging of both mind and pulse, this is—as are all of his recordings—a feast. Anyone who has played or come in contact with this too overlooked aggregation will agree it is a distinct occurrence.
Catalog Number: CJR 1053
DreamlandDarrell Katz (Conductor), Julius Hemphill (Alto Saxophone), John Carlson (Trumpet), Rob Scheps (Tenor Saxophone), Bob Pilkington (Trombone), Doug Johnson (Piano), David Harris (Trombone), W. Marshall Sealy (French Horn), Douglas Yate (Alto Saxophone), Mike Peipman (Trumpet), Rick Peckham (Guitar), Diana Herold (vibraphone), Andrew D'Angelo (Alto Saxophone), John Dirac (Guitar)Darrell Katz is an enigma to those who know him. Obsessed and driven by his musical visions, he’s managed to squeeze out a handful of recordings over the years while somehow maintaining a stable group in the Jazz Composers Alliance Orchestra. If you like music that’s engaging of both mind and pulse, this is—as are all of his recordings—a feast. Anyone who has played or come in contact with this too overlooked aggregation will agree it is a distinct occurrence.
Catalog Number: CJR 1052
Home On The RangeChuck Florence (Tenor Saxophone), Jaki Byard (Piano), Alan Dawson (Percussion), Clipper Anderson (Bass)Chuck Florence lives in Montana. In fact, his first recording (with a little known but outstanding group that included Jack Walrath, Bob Nell, and Kelly Roberts) was called U. Home on the Range is Mr. Florence’s debut as a leader and it’s a refreshing Bop outing as expansive in its approach and directness as the Big Sky Country itself. Special note to the featured work of Jaki Byard who, though not the leader, lays down some of his most classic work.
Catalog Number: CJR 1051
InnocenceJoe Gallivan (Drums), Marcio Mattos (Bass), Elton Dean (Alto Saxello), Evan Parker (Soprano), Neil Metcalf (Flute), Guy Barker (Trumpet), Gerard Presencer (Trumpet), Claude Deppa (Trumpet), Jim Dvorak (Trumpet), Paul Rutherford (Trombone), Ashley Slater (Bass Trombone)Big works by a big group. This remains our favorite Joe Gallivan recording in a career that was first documented back in 1961. Unfortunately this astounding assemblage of players was documented on only one recording, but the extended tracks offer up just the kind of intriguing power and movement that you might hope for from some of Europe’s finest improvisers. Passionate music.
Catalog Number: CJR 1051
InnocenceJoe Gallivan (Drums), Marcio Mattos (Bass), Elton Dean (Alto Saxello), Evan Parker (Soprano), Neil Metcalf (Flute), Guy Barker (Trumpet), Gerard Presencer (Trumpet), Claude Deppa (Trumpet), Jim Dvorak (Trumpet), Paul Rutherford (Trombone), Ashley Slater (Bass Trombone)Big works by a big group. This remains our favorite Joe Gallivan recording in a career that was first documented back in 1961. Unfortunately this astounding assemblage of players was documented on only one recording, but the extended tracks offer up just the kind of intriguing power and movement that you might hope for from some of Europe’s finest improvisers. Passionate music.
Catalog Number: CJR 1050
Seeking SpiritBobby Zankel (Alto Saxophone), Odean Pope (Tenor Saxophone), Johnny Coles (Trumpet), Ray Wright (Baritone Saxophone), Tyrone Brown (Bass), Stan Slotter (Trumpet), Sumi Tonooka (Piano), Craig McIver (Drums), Uri Caine (Piano), David Gibson (Drums)A distinctive orchestrater, composer, and instrumentalist Bobby Zankel over the years has remained a Philadelphia musicians’ musician. This is his debut recording and it remains one of his finest. If you’re not familiar with this notable musician’s work, start here and we think you’ll be impressed enough to move through other documents of his body of work
Catalog Number: CJR Records 1049
Ernie Krivda JazzErnie Krivda (Tenor Sax), Bob Fraser (Guitar), Jeff Halsey (Bass), Gary Aprile (Bass), Roger Hines (Bass), Chris Berger (Bass), Pat Hallaran (Trombone), Pete Selvaggio (Accordion), Joe Hunter (Piano), Paul Samuels (Drums), Scott Davis (Drums), Dennis Reynolds (Trumpet), Mike Hazlett (Trumpet)
Catalog Number: CJR Records 1049
Ernie Krivda JazzErnie Krivda (Tenor Sax), Bob Fraser (Guitar), Jeff Halsey (Bass), Gary Aprile (Bass), Roger Hines (Bass), Chris Berger (Bass), Pat Hallaran (Trombone), Pete Selvaggio (Accordion), Joe Hunter (Piano), Paul Samuels (Drums), Scott Davis (Drums), Dennis Reynolds (Trumpet), Mike Hazlett (Trumpet)
Catalog Number: CJR 1029
Live At The Jazz Cultural TheatreAbdul Zahir Batin (Drums), Bobby Watson (Alto Saxophone), Cecil Bridgewater (Trumpet), Robin Eubanks (Trombone), John Hicks (Piano), Curtis Lundy (Bass)Called the Notorious Ensemble at the time this was recorded in 1986, this now looks like the All Star Ensemble. Mr. Batin remains an elusive and legendary N.Y.C Jazz character. This is a very live recording and captures a group of individuals as distinct as the original music played. This remains the best and most complete documentation of this artist, and a wonderful record of a memorable occasion.
Catalog Number: CJR 1027
RainsplashAlan Simon (Piano), Ralph Lalama (Tenor Saxophone), John Goldsby (Bass), Tim Pleasant (Drums), Neil Tufano (Drums)This CD reissues the debut recording of Alan Simon and features the up-and-coming tenor of Ralph Lalama. The program features two of Mr. Simon’s notable originals, the original 1985 interview, and retains the original Ansel Adams cover art.