Albums By Artists Whose Names Begin With - M
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Catalog Number: Cadence Jazz Records 1232
Why Not?Mat Marucci (Drums), Doug Webb (Saxophone), Rob Lemas (Bass)Mat Marucci (drums) + Doug Webb (tenor + soprano sax) with Rob Lemas (bass)
Why Not?
Mat Marucci and Doug Webb have established themselves as more than just a team: they are a dynamic duo. Or as one writer aptly said, channeling the interplay and energy of Elvin Jones and John Coltrane.
On this latest effort they bring their energy to nine tracks. Mostly originals. All accessible. All dynamic. Free Bop at its best. Recorded live.
why not? - 4 in 3 - steps to the left - another kind of mood - avenue of the americas - lifeline - variations on a theme by Verdi - three piece suit - finally dandy
Catalog Number: Cadence Jazz Records 1222
Magical Listening Hour Live at The South Street SeaportSteve Swell (Primary), Louie Belogenis (Saxophone), Michael Attias (Saxophone), Nate Wooley (Trumpet)Steve Swell has authored a number of sessions and groups but nothing quite like this. Recorded live in New York City's Space Gallery, this continuous 70-minute performance is calming yet tension-filled. Utilizing a carefully controlled minimalist technique, the "four-play" develops a cumulative movement and rhythm impressive in its technique and punch—sort of a post Bop body & soul quartet. ...
Catalog Number: Cadence Jazz Records 1220
Live From Yoshi'sDavid Haney (Piano), John Tchiacai (Saxophone), Adam Lane (Bass), Mat Marucci (Drums), Duck Baker (Guitar), Rob Scheps (Saxophone)Here is an historical release that has remained amazingly up-to-date. This is the remarkable David Haney's earliest recording to date. Recorded live in April 2000, it finds Mr. Haney in some pretty fast company. An informal/formal meeting, it's a wonderful example of creative minds creating while keeping their feet on the floor. A fun get-together and another distinct offering from David Haney's growing body of work.
Catalog Number: Cadence Jazz Records 1219
The Spirits at Belle'sJimmy Bennington (Drums), Perry Robinson (Clarinet), Mathew Golombisky (Bass), Daniel Thatcher (Bass)Jimmy Bennington and Perry Robinson show no generation gap. Bennington plays like a veteran and Robinson delivers with a young lion's innocence. This is a pairing that over the past few years seems to have brought out the best in both. Here they stretch out in relaxed but dynamic fashion over three tracks and produce what is arguably some of their finest work to date.
Catalog Number: Cadence Jazz Records 1218
ForwardBrian Landrus (Saxophone), George Garzone (Saxophone), Allan Chase (Saxophone), Jason Palmer (Trumpet), Michael Cain (Piano), John Lockwood (Bass), Rakalam Bob Moses (Drums), Rupac Mantilla (Percussion)There's a new baritone sax voice in town–Brian Landrus, who impresses also on bass clarinet, alto flute, and as a composer of the majority of this program's compositions. Joining him are a few veterans including George Garzone, John Lockwood, Allan Chase, and Bob Moses; each known not only by his past body of work but also for the select company each chooses to keep.
Catalog Number: Cadence Jazz Records 1216
Red FeastStephen Gauci (Primary), Nels Cline (Guitar), Ken Filiano (Bass), Mike Pride (Drums)Stunning saxwork combined with fresh and forceful rhythms create a recording session which is unrelenting in its drive and invention. Quite simply this is Gauci-Cline-Filiano-Pride at their best and, as a group, even ...
Catalog Number: Cadence Jazz Records 1214
If You Should GoTomas Ulrich (Primary), Rolf Sturm (Guitar), Michael Bisio (Bass)Welcome to the debut of Tomas Ulrich's Cargo Cult. This recording so impressed the folks at CIMP Records that they immediately contracted for three recordings on that label. Hard to describe this group as it comfortably draws from a broad pallet, not just from the Jazz/improvised music genre but from the so-called Classical, Pop, and Rock genres. On this live date you'll get Cargo Cult in the raw ...
Catalog Number: Cadence Jazz Records 1212
StringsSalim Washington (Primary), Alva Anderson (Saxophone), Charlie Burnham (Viola), Henry Cook (Flute), Akua Dixon (Cello), Melanie Dyer (Viola), Rosi Hertlein (Violin), Clarissa Howell (Cello), Hakim Jami (Bass), Howard Johnson (Clarinet), Mark Johnson (Drums), Jaribu Shahid (Bass)Here is an ambitious effort by all concerned, a unique gathering and scoring of some very heartfelt music. The result is uplifting spirit music to both dance to and ponder. This is a celebratory event and will appeal to a broad range of Jazz and "non-Jazz" ...
Catalog Number: Cadence Jazz Records 1212
StringsSalim Washington (Primary), Alva Anderson (Saxophone), Charlie Burnham (Viola), Henry Cook (Flute), Akua Dixon (Cello), Melanie Dyer (Viola), Rosi Hertlein (Violin), Clarissa Howell (Cello), Hakim Jami (Bass), Howard Johnson (Clarinet), Mark Johnson (Drums), Jaribu Shahid (Bass)Here is an ambitious effort by all concerned, a unique gathering and scoring of some very heartfelt music. The result is uplifting spirit music to both dance to and ponder. This is a celebratory event and will appeal to a broad range of Jazz and "non-Jazz" ...
Catalog Number: Cadence Jazz Records 1211
Partners in CrimeMat Marucci (Primary), Doug Webb (Saxophone), Joe Dolister (Bass)This Marucci-Webb collaboration predates the remarkable CIMP recordings by this well matched team (CIMPs 346 and 356). This trio recording—made live in 2004 in Sacramento, California—is a nice combination of originals and standards. Those familiar with their previous releases will immediately recognize the style of this one's accessible inventiveness. If this is a crime, it sure is a ...
Catalog Number: Cadence Jazz Records 1208
AireMathias Rissi (Tenor-Alto Saxophone), Guerino Mazzola (Grand Piano), Heinz Geisser (Percussion)With this release, AIRE, this charging, dynamic, and inventive trio completes the cycle of elements of life that previously included Fuego (Creative Works Records), Tierra (CadenceJazz 1130) and Agua (CadenceJazz 1150). If you're still not familiar with the individual or group work of these 3 dynamos, this is as good a place to start as any. Hard music for hard listening.
Catalog Number: Cadence Jazz Records 1207
My Fingers Will Be Your TearsAndrew Drury (Primary), Briggan Krauss (Saxophone), Myra Melford (Piano)Andrew Drury, as evidenced on this fine recording, is obviously a drummer with both a secure rhythmic sense and the ability to mess with metronomic time (yet still hold the flow of the music). Andrew brings together Myra Melford's directional piano and Briggan Krauss' distinctive sax approach/sound to form a power trio that fearlessly throws itself into edgy compositions and constructions. ...
Catalog Number: Cadence Jazz Records 1203
No Lesser EvilMat Marucci (Drums), Doug Webb (Tenor Saxophone), Kerry Kashiwagi (Bass)Fresh Hard Bop with no punches pulled or compromises. This stays fresh listen after listen and yet remains accessible to a broad range to tastes. New life from familiar standards and an old forum.
Catalog Number: Cadence Jazz Records 1202
For The ChildrenMichael Jefry Stevens (Piano), David Schnitter (Saxophone), Dominic Duval (Bass), Jay Rosen (Drums)This recording is part of the Cadence Jazz Historical Series. This was outstanding music back when it was recorded in the mid 1990s; and it remains so today. The only difference now is the significance and early placement in the discographies of the individual artists who are now leaders in the field of creative improvised music. Exciting, demanding, and rewarding listening.
Catalog Number: Cadence Jazz Records 1201
Nothing But Blue SkyChris Humphrey (Vocals), Matt Wilson (Drums), Martin Wind (Bass), Mark Shilansky (Piano)This is classic Jazz vocal - timeless in its appeal and natural in its delivery. A wonderful example of the art of vocalist as instrumentalist.
Chris Humphrey makes his debut on 8 standards and 3 notable originals, delivered with sincerity and a naturalness of flow. Chris Humphrey is a singer of significance.
Catalog Number: Cadence Jazz Records 1201
Nothing But Blue SkyChris Humphrey (Vocals), Matt Wilson (Drums), Martin Wind (Bass), Mark Shilansky (Piano)This is classic Jazz vocal - timeless in its appeal and natural in its delivery. A wonderful example of the art of vocalist as instrumentalist.
Chris Humphrey makes his debut on 8 standards and 3 notable originals, delivered with sincerity and a naturalness of flow. Chris Humphrey is a singer of significance.
Catalog Number: Cadence Jazz Records 1201
Nothing But Blue SkyChris Humphrey (Vocals), Matt Wilson (Drums), Martin Wind (Bass), Mark Shilansky (Piano)This is classic Jazz vocal - timeless in its appeal and natural in its delivery. A wonderful example of the art of vocalist as instrumentalist.
Chris Humphrey makes his debut on 8 standards and 3 notable originals, delivered with sincerity and a naturalness of flow. Chris Humphrey is a singer of significance.
Catalog Number: Cadence Jazz Records 1199
Kaivalya Vol. #2Paul Flaherty (Alto Saxophone), Marc Edwards (Drums)Volume 2 of the stunning duet work between these two seasoned and committed improvising artists. A fine example over five tracks of the maturity of vision and discipline of freedom and restraint.
Catalog Number: Cadence Jazz Records 1196
Catalog Number: Cadence Jazz Records 1192
Live at The Guelph FestivalLou Grassi (Drums), Marshall Allen (Alto Saxophone)The musicality and range of playing on this concert over and over will suggest this is more than a duo. No safety nets here - and none needed when these two inventive fellows reunite.
Catalog Number: Cadence Jazz Records 1188
Don't Count On GloryLindsey Horner (Bass), Jeff Berman (Percussion), Uri Caine (Piano), Jim DiSpirito (Percussion), Marty Ehrlich (Saxophone), Colter Harper (Guitar), Neal Kirkwood (Piano), Brian Lynch (Trumpet), Pete McCann (Guitar), Allison Miller (Drums), Ben Opie (Saxophone), Bobby Previte (Drums), Lou tellute (Saxophone), Eric Susoeff (Guitar), Dave Throckmorton (Drums), Lieven Venken (Drums)Lindsey Horner is best known as a bassist (though his reeds make an appearance on this date) who's been one of the players in the thick of the post '70s New York improvising scene. But for those who have followed his own releases, it's clear that his is a rather distinct color from most of his colleagues. This recording was a few years in the making, but as Bob Rusch says in the program notes, "...this is the logical point Lindsey’s music has been moving toward...and is his most idiomatically realized to date." Emotional and intellectual depth unite here, making good music great music.
Catalog Number: Cadence Jazz Records 1186
In FinlandJoe McPhee (Soprano Saxophone), Matthew Shipp (Piano), Dominic Duval (Bass)Wow! What a trio. If nothing else, on paper it looks interesting, albeit problematic. Well, that's what we thought. Much to our surprise we were bowled over by the music this improbable grouping produced. Three giants of uncompromised creative improvising music come together and in every way justify their reputations and then go on to produce a musical program that exceeds the sum of its illustrious parts. This is a very special result from an unexpected occasion.
Catalog Number: Cadence Jazz Records 1180
Long Night WaitingStephen Gauci (Tenor Saxophone), Mike Bisio (Bass), Jay Rosen (Drums)Tenor saxophonist Stephen Gauci is a new name, but one which you'll hear more of this year. Focused and dynamic, this July 2004 date pre-dates his recent CIMP (#323) work with the Mike Bisio quartet. Here he's in a free blowing situation. Free blowing perhaps, but?as the seven tracks prove?not without purpose.
Catalog Number: Cadence Jazz Records 1178
GenesisMat Marucci (Drums), Markus Burger (Piano), John Tchicai (Tenor Saxophone), Doug Webb (Tenor Saxophone), Adam Lane (Bass), Steve Gundhi (Alto Saxophone), Tony Passarell (Baritone Saxophone), Steve Roach (Trumpet), John Allen (Percussion), Fred Randolph (Bass)Mat Marucci and Markus Burger began collaborating in 2002. Their concepts are wide and full as this varied, but whole, work proves. Solid playing and complete compositions manage to make the 11 parts of the CD hang together as a satisfying complete suite.
Catalog Number: Cadence Jazz Records 1178
GenesisMat Marucci (Drums), Markus Burger (Piano), John Tchicai (Tenor Saxophone), Doug Webb (Tenor Saxophone), Adam Lane (Bass), Steve Gundhi (Alto Saxophone), Tony Passarell (Baritone Saxophone), Steve Roach (Trumpet), John Allen (Percussion), Fred Randolph (Bass)Mat Marucci and Markus Burger began collaborating in 2002. Their concepts are wide and full as this varied, but whole, work proves. Solid playing and complete compositions manage to make the 11 parts of the CD hang together as a satisfying complete suite.
Catalog Number: Cadence Jazz Records 1177
Kaivalya Volume 1Paul Flaherty (Alto Saxophone), Marc Edwards (Drums)The power of Marc Edwards encounters the power of Paul Flaherty. Two icons of creative eccentricity show why, in the hands of creative minds, free improvisation is a beautiful thing. The six excursions here will have you wanting more. The good news is there will be more as this is Volume 1 of this rare pairing.
Catalog Number: CJR Records 1174
slammin' the infiniteSteve Swell (trombone/composition), sabir mateen (tenor/alto/flute/clarinet/alto clarinet), matthew heyner (Bass), klaus kugel (Drums)Steve Swell has been coming on strong in the past few years with a solid body of recordings, national, and international tours and now yet another solid recorded concept. It's power on power with this international 4tet and, as Gerald Schwartz writes, "Slammin' the Infinite will remain a scale by which to measure.
Catalog Number: Cadence Jazz Records 1173
ComposanceMichael Bisio (Bass), Rob Blakeslee (Brass), Greg Campbell (Percussion)Here's a date that just bristles. Mike Bisio is acknowledged by fellow musicians and listeners alike as one of the finest of bassists. Blessed with a distinctive technique, he digs deep and bares his considerable soul with the equally compelling voices of Rob Blakeslee's trumpet and Greg Campbell's forward and complementary percussion. This is a trio of strengths. It would be hard not to be moved by their work and its purpose.
Catalog Number: Cadence Jazz Records 1171
SegmentsJohn Hagen (Tenor Saxophones), Denman Maroney (Piano), Mark Dresser (Bass), Shanir Blumenkranz (Bass), Gerry Hemingway (Drums), Todd Capp (Drums)A professional musician since the early 1970s and a former student of a number of people, ranging from Jimmy Cheatham and Randy Sandke to Warne Marsh and Bill Dixon, it's surprising that this is Mr. Hagen's first release under his own leadership in 54 years. And in listening to the 15 little gems that make up this work, the surprises keep coming. This is a saxophonist who will draw in the listener with his emotive, logically constructed, and powerful statements. Fifteen cuts: a marvel in concise statements and, while unknown, not undeserving of your attention. Art—not hype.
Catalog Number: Cadence Jazz Records 1167
Red SnapperPaul Murphy (Percussion), Jimmy Lyons (Alto Saxophone), Dewey Johnson (Trumpet), Karen Borca (Bassoon), Mary Anne Driscoll (Piano)After being one of the more active members of the New York New Jazz scene in the '70s and '80s, Paul Murphy dipped a bit below the radar. During the last of the '90s he again began to reactivate, leading and supporting on a number of select sessions. This is an historic date that is just now being issued. It is proof positive how high Paul's groups were setting the bar back when...Great music then, great music now.
Catalog Number: Cadence Jazz Records 1164
Motion EjectaMilo Fine (Primary), Mick Beck (Tenor Saxophone), Paul Hession (Drums)Milo's latest and we think most exciting release to date. Here, this veteran Free Jazzer is joined by Mick Beck and Paul Hession in a  never before/never again canvas of purposeful color and rhythm, all of which will challenge and satisfy that grey area between your ears. Live.
Catalog Number: Cadence Jazz Records 1164
Motion EjectaMilo Fine (Primary), Mick Beck (Tenor Saxophone), Paul Hession (Drums)Milo's latest and we think most exciting release to date. Here, this veteran Free Jazzer is joined by Mick Beck and Paul Hession in a  never before/never again canvas of purposeful color and rhythm, all of which will challenge and satisfy that grey area between your ears. Live.
Catalog Number: Cadence Jazz Records 1163
You Must Believe In SwingMarc Pompe (Vocals), Joey Defrancesco (Hammond B-3), Henry Johnson (Guitar), Byron Landham (Drums), Curt Warren (Guitar), Judy Roberts (Piano)Marc Pompe is a distinct and memorable singer. he's been at it for over 50 years, but had scarce documentation. More concerned with the art than the commerce, Mr. Pompe, Cadence Records, and CIMP Records have set about to rectify the situation with a series of 3 recordings to be released over the next handful of months.
You Must Believe in Swing is simply a great recording. And if you're a fan of the art of the Jazz singer - give this a try. With 2 more releases to follow, you know we stand behind Marc Pompe's artistry.
Catalog Number: Cadence Jazz Records 1162
Foward EnergyJim Ryan (Saxophone), Alicia Mangan (Tenor Saxophone), Scott R. Looney (Piano), Adam Lane (Contrabass), Marshall Trammell (Drums)Jim Ryan is a creative and catalytic force in the San Francisco Bay Area. His music has a passion and, yes, a forward energy which would put artists a third his age to shame. Here he brings his energized group together to stretch out for 5 tracks on what is arguably his finest and fullest recorded display of his music. This is intense music and unrelenting interplay. It’s a lot of listening here—over 70 minutes that will take you hours to absorb and with wonderful features from all.
Catalog Number: Cadence Jazz Records 1161
The Welsh ChapelFrode Gjerstad (Alto Saxophone), John Edwards (Bass), Mark Sanders (Drums)This is Frode Gjerstad's 8th Cadence Jazz Records release, every one of them distinct and refreshing. This CD, recorded in a Welsh chapel over a five hour period, finds Frode playing with fresh nuance and renewed passion. To say he is the most dynamic free improviser in Norway is a qualifier this world-class saxman has long outgrown.
Catalog Number: Cadence Jazz Records 1160
Shadow Intersections WestPaul Murphy (Primary), Marco Eneidi (Alto Saxophone), Kash Killion (Cello), Paul Murphey (Drums)After 30 years it seems as though listeners are catching up to Paul Murphy, '70s avant-gardist/2000's musical artist. This is Paul's second Cadence date with Kash Killion (CJR 1147), without question one of the most electrifying Jazz/improvising cellists on the scene. Joining Paul & Kash is Paul's old associate, Marco Eneidi. Pithy, plucky, and rhythmic, this is improvisation of a close knit for careful listening.
Catalog Number: Cadence Jazz Records 1159
This NowSteve Swell (Trombone), Jemeel Moondoc (Alto Saxophone), Matt Lavelle (Trumpet), Cooper Moore (Piano), Wilber Morris (Bass), Kevin Norton (Drums)Steve Swell’s Unified Theory of Sound is a case of strength on strength. The force of Steve’s trombone styling and compositions is beautifully complemented and integrated by this exceptional grouping. POWerful music, recorded live in New York City. A generous helping of listening substance.
Catalog Number: CJR 1153
In, Thru, and OutHiro Honshuku (Flute), Jim Hobbs (Alto Saxophone), Jeff Hudgins (Alto Saxophone), Phil Scarff (Tenor Saxophone), Hans Indigo (Baritone Saxophone), Mike Peipman (Trumpet), Keiichi Hashimoto (Trumpet), Jim Mosher (French Horn), Bob Pilkington (Trombone), David Harris (Trombone), Jim Gray (Tuba), Rebecca Shrimpton (Voice), Art Bailey (Piano), Norm Zocher (Guitar), Rick McLaughlin (Acoustic Bass), Rich Greenblatt (Vibraphone), Harvey Wirht (Drums), Taki Masuko (Percussion), Darrell Katz (Composer), Laura Andel (Composer), Warren Senders (Composer)The Jazz Composers Alliance Orchestra outdoes itself on this release, creating large music carefully detailed and with climaxes worthy of the talents of this 18-piece ensemble. Included in the program is the tribute, “Hemphill,” a 4-part opus celebrating the spirit of Julius Hemphill. A big band with big concepts executed by big talents.
Catalog Number: CJR 1152
Trips Jobs and JourneysNoah Rosen (Piano), Didier Levallet (Bass), Makoto Sato (Drums)You could say this recording has been about 25 years in the making. Now in his 40s, this is Mr. Rosen's recorded debut - after all those years of playing in the States and Europe. This is more than just another piano trio outing; this is a focused, thoughtful, creative improvised excursion by a voice that is forceful in executing a concert of original statement. As Andrew Hill says in his liner notes, "Noah has made...the freshest material I have heard in twenty years or more."
Catalog Number: CJR 1150
AguaMathias Rissi (Tenor Saxophone), Guerino Mazzola (Grand Piano), Heinz Geisser (Percussion)Mathias Rissi, Guerino Mazzola, and Heinz Geisser are 3 masters of instant improvisation and bring to it the depth, breadth, and technique that you would expect from the finest concert hall masters. In his notes, Bob Rusch writes that he is "confident that this artistry will, in time, be recognized for its depth and brilliance. How long that will take is anyone's guess...time is only a threat to the ephemeral. Enjoy this bursting."
Catalog Number: CJR 1140
Catalog Number: CJR 1138
Jazz Corps: Live At the Lighthouse 1963-67 Vol. IITommy Peltier (Cornet), Freddy Rodriguez (Alto Saxophone), Lynn Blessing (Vibes), Bill Plummer (Bass), Maurice Miller (Drums)Part 2 documenting one of the hippest and most advanced new Jazz guys on the West Coast. Let this (and its companion, Cadence Jazz 1101) be a witness that the revolution was not just on the East Coast.
Catalog Number: CJR 1133
Full Throttle OrchestraVijay Anderson (Drums), Aaron Bennett (Tenor Saxophones), Myles Boisen (Electric Guitar), Jeff Chan (Tenor Saxophone), John Finkbeiner (Electric Guitar), Darren Johnston (Trumpet), Adam Lane (Bass)This is the follow-up to Adam’s amazing recording debut on Cadence Jazz 1104, Hollywood Wedding. Today many have come to expect brilliance from Mr. Lane, but, after listening to the first two Cadence recordings, obviously it was all in place by the end of the 1990s.
Catalog Number: CJR 1132
Mainstream ExtensionsJoel Press (Tenor Saxophone), Gray Sargent (Guitar), Marshall Wood (Bass), Bob Savine (Drums), Marty Ballou (Bass)To quote from the liners, “I was affected by this music, not because of any radical or avant approach, but because it moved with a rhythm that seemed natural and it spoke with a direct honesty and made statements with substance; old container, fresh vintage, if you will.” A recording of beautiful mainstream music from every consideration.
Catalog Number: CJR 1132
Mainstream ExtensionsJoel Press (Tenor Saxophone), Gray Sargent (Guitar), Marshall Wood (Bass), Bob Savine (Drums), Marty Ballou (Bass)To quote from the liners, “I was affected by this music, not because of any radical or avant approach, but because it moved with a rhythm that seemed natural and it spoke with a direct honesty and made statements with substance; old container, fresh vintage, if you will.” A recording of beautiful mainstream music from every consideration.
Catalog Number: CJR 1130
TierraMathias Rissi (Tenor Saxophone), Guerino Mazzola (Grand Piano), Heinz Geisser (Percussion)Hard to imagine increasing the dynamic thrust of the Mazzola-Geiser duo, but the addition of Mathias Rissi is a perfect and complementary fit and does just that. More heartful music.
Catalog Number: CJR 1128
Voluminous VentureMasashi Harada (Piano), Barre Phillips (Bass)A duo of thoughtful and often intense interplay. Listen to the heart and souls of two as one.
Catalog Number: CJR 1127
Primal IntentionsMike Bisio (Bass), Joe Giardullo (Bass Clarinet)Another in a series of Mike Bisio duet encounters. This explores with considerable fluency both the structure and abstraction of Free improvisation in a session that offers up a broad range of emotional coloring.
Catalog Number: CJR 1124
Tony's BluesBarry Wallenstein (Voice), John Hicks (Piano), Jay Leonhart (Bass), Michael Leonhart (Trumpet), Vincent Chancey (French Horn), Evan Hause (Guitar)Barry Wallenstein’s poetry is fun, thoughtful, warm, and very human. His ability to integrate his speaking voice into the musicality of the whole makes this a recording of musical poetry. Twenty-two cuts plus a 20-page book of notes and text.
Catalog Number: CJR 1122
HeliopolisGuerino Mazzola (Grand Piano), Heinz Geisser (Percussion), Mat Maneri (Violin), Scott Fields (Electric Guitar)The dynamic duo of Mazzola and Geisser bring along Mat Maneri and Scott Fields, who definitely bring a different coloring to this collaboration. But this is a cooperative of artists who know how to listen, present their individuality in concert with the whole, and are mindful of the power of statement.
Catalog Number: CJR 1121
ConcertedDan Blunck (Soprano Saxophone), Mike Bisio (Acoustic Bass)Duo recordings make special demands and can have powerful rewards, but there’s no place to hide. For the most part, with the exception of “Harlem Nocturne,” this is an occasion of Free Jazz.
Catalog Number: CJR 1118
CongenialityMitch Seidman (Guitar), Charlie Kohlhase (Alto Saxophone), Jeff Galindo (Trombone)What an odd set of instruments for a trio: guitar, sax, and trombone. Odd, but the musicality is undeniable as they ramble through 9 tracks of material by Monk, Hemphill, Mangelsdorff, Basie, and originals from Galindo and Kohlhase. And it all seems so natural that one can ignore the challenge if one so chooses. But this will delight those who like to be engaged by music.
Catalog Number: CJR 1112
FaithFred Hess (Tenor Saxophone), Glenn Nitta (Soprano Saxophone), Kent McLagan (Bass), Ron Miles (Trumpet), Mark Harris (Alto Saxophone), Tim Sullivan (Drums)You don’t have to go to the major jazz centers to find engaging music. Fred Hess and his Creative Music Ensemble established themselves in 1982 as devotees to music which both challenges and embraces. This remains one of their finest efforts.
Catalog Number: CJR 1111
Cries and WhispersDominic Duval (Hutchins Bass), Joe McPhee (Tenor Saxophone), Mark Whitecage (Alto Saxophone), Jason Hwang (Violin), Tomas Ulrich (Violin Cello)This is a 7-part improvisation recorded at The Knit. With this quartet line-up of exempler improvisers, the odds are good that this will be dynamic and thoughtful music. The odds are right.
Catalog Number: CJR 1110
CrossingsMatthew Goodheart (Piano), Dominic Duval (Bass)Matthew Goodheart recorded a beautiful duo with Leo Smith (CJR 1100). This time his duo work goes inside with the bassist Dominic Duval. It’s all so normal and so engaging it just goes to prove it’s not the notes but how you play them.
Catalog Number: CJR 1107
AnahadPaul Flaherty (Alto Saxophone), Randall Colbourne (Drums), Mike Murray (Guitar), James "Chumly" Hunt (Trumpet), Richard Downs (Bass)Flaherty and Colbourne—the dynamic duo—open things up a bit and venture into quintet land. But there are no concessions. Still dynamic, structured, but totally Free Form improvisation.
Catalog Number: CJR 1104
Hollywood WeddingAdam Lane (Bass), Lynn Johnston (Reeds), Brian McFadin (Tenor Saxophone), Eddie Felix (Reeds), James King (Reeds), Todd M. Simon (Trumpet), Josef Leimberg (Trumpet), Mark Chung (Violin), Art Hirahara (Piano), Scott Ray (Trombone), Wadada Leo Smith (Trumpet)Quite simply one of the more impressive recording debuts. This was Adam’s first release in any manner: leader or sideman. His recording legacy began here and subsequent events have proved it was no fluke
Catalog Number: CJR 1102
A Sandole TrilogyDennis Sandole (Guitar), Al DelGovernatore (Piano), Wendell Marshall (Bass), Frank Young (Drums), Michael Grossman (Piano), John Stubblefield (Tenor Saxophone), Tony Garnier (Bass), Mike Clark (Drums)Dennis Sandole was a legendary Philadelphia-based guitarist, teacher, and guru to a host of eventual East Coast Jazz giants. These recordings were recovered from the dustbin of Mr. Sandole’s archives and cover his work between 1958 to 1991, and sadly, account for a good percentage of his available recorded legacy. As an added bonus, one track features the Michael Grossman-John Stubblefield-Tony Garnier-Mike Clark 4tet playing a Sandole composition.
Catalog Number: CJR 1102
A Sandole TrilogyDennis Sandole (Guitar), Al DelGovernatore (Piano), Wendell Marshall (Bass), Frank Young (Drums), Michael Grossman (Piano), John Stubblefield (Tenor Saxophone), Tony Garnier (Bass), Mike Clark (Drums)Dennis Sandole was a legendary Philadelphia-based guitarist, teacher, and guru to a host of eventual East Coast Jazz giants. These recordings were recovered from the dustbin of Mr. Sandole’s archives and cover his work between 1958 to 1991, and sadly, account for a good percentage of his available recorded legacy. As an added bonus, one track features the Michael Grossman-John Stubblefield-Tony Garnier-Mike Clark 4tet playing a Sandole composition.
Catalog Number: CJR 1101
Jazz Corp: Live At The Lighthouse 1963-67Tommy Peltier (Cornet), Freddy Rodriguez (Alto Saxophone), Lynn Blessing (Vibes), Bill Plummer (Bass), Maurice Miller (Drums)Most people know Tommy Peltier for his collaboration with Roland Kirk. But here are his best and most distinct performances—testament that the West Coast was not always second fiddle to East Coast post-Bop music and, further, that Mr. Peltier was at the forefront of the new music 1960’s West Coast scene.
Catalog Number: CJR 1100
Interludes of Breath and SubstanceMatthew Goodheart (Piano), Leo Smith (Trumpet)Sometimes things are just perfect. This February 1998 session is an encounter which remains one of Matthew Goodheart and Leo Smith’s finest work. The 11 tracks make up one hour of simply brilliant musical interplay as perfectly attuned as act and shadow.
Catalog Number: CJR 1097
Dominic Duval's String Ensemble - Live in ConcertJason Hwang (Violin), Tomas Ulrich (Cello), Dominic Duval (Hutchins Bass), Joe McPhee (Tenor Saxophone), Mark Whitecage (Clarinet)Dominic Duval is a monster musician and—arguably better than anyone else—has bridged the gap between notated and improvised music. Here his strong group is augmented by Joe McPhee and Mark Whitecage in a live performance at the Knitting Factory.
Catalog Number: CJR 1095
Second CourseMarc Sabatella (Piano), Hugh Ragin (Trumpet), Peter Sommer (Tenor Saxophone), Roger Barnhart (Bass), Erik Turkman (Bass), Thomas Van Schoick (Drums)Every geographic region has its world-class local artists. The Rocky Mountain area has arguably four, of which Marc Sabatella is one. Unpretentious and totally musical, this endearing disc combines an eclectic mix of Marc’s originals with more familiar fare and includes a strong two minute tour de force on Offenbach’s “Can-Can.”
Catalog Number: Cadence Jazz Records 1088
Sweet DreamsAmanda Pucci Jhones (Primary), Kenny Barron (Primary), Hilliard Greene (Primary), Dwayne "Cook" Braodnax (Primary), Casey Benjamin (Primary), Karl Martin Almquist (Primary), Morten Faerestrand (Primary), Kenyatta Beasley (Primary)Cadence and CIMP don’t record vocalists often, but, when we do, you can bet they are distinctive. This was Pucci Amanda Jhones’ first recording and directly led to a CIMP session (#170). It’s a remarkably strong and distinctive debut.
Catalog Number: CJR 1085
Bottoms OutScott Miller (Composer), Joe Fonda (Bass), Kevin Norton (Drums), Michael J. Stevens (Piano), Mark Whitecage (Alto Saxophone), David Bindman (Clarinet), David Schumacher (Baritone Saxophone), Robert DeBellis (Baritone Saxophone), Sam Furnace (Baritone Saxophone), Steve Swell (Trombone), Jim Leff (Trombone)Scott Miller and Joe Fonda brought together this potent ensemble, sort of a musicians’ workshop with, “A premise of the group that, in our music, there is an equal assertion of written composition and improvisation: The writing and the improvising are continuous and simultaneous throughout.” And “Though every member of Bottoms Out is a formidable soloist, the band is ultimately about a sense of ensemble.” The ensemble existed for a couple of years and was obviously an engaging unit, as witnessed by this sole issued document.
Catalog Number: CJR 1085
Bottoms OutScott Miller (Composer), Joe Fonda (Bass), Kevin Norton (Drums), Michael J. Stevens (Piano), Mark Whitecage (Alto Saxophone), David Bindman (Clarinet), David Schumacher (Baritone Saxophone), Robert DeBellis (Baritone Saxophone), Sam Furnace (Baritone Saxophone), Steve Swell (Trombone), Jim Leff (Trombone)Scott Miller and Joe Fonda brought together this potent ensemble, sort of a musicians’ workshop with, “A premise of the group that, in our music, there is an equal assertion of written composition and improvisation: The writing and the improvising are continuous and simultaneous throughout.” And “Though every member of Bottoms Out is a formidable soloist, the band is ultimately about a sense of ensemble.” The ensemble existed for a couple of years and was obviously an engaging unit, as witnessed by this sole issued document.
Catalog Number: CJR 1081
Orkestra Kith 'n KinHans Reichel (Guitar), Thomas Borgmann (Soprano Saxophone), Lol Coxhill (Soprano Saxophone), Erik Balke (Sopraino Saxophone), Dietmar Diesner (Soprano Saxophone), Jonas Akerblom (Bass Saxophone), Martin Mayes (French Horn), Pat Thomas (Piano), Christoph Winckel (Bass), Mark Sanders (Drums)Wow. Big group, powerful personalities, led by the powerhouse, Mr. Borgmann. Perhaps it’s led by “Turning Loose”—contained within the structure of this extended work is fiery unrestrained playing. The CD concludes with some prime Lol Coxhill humor creations.
Catalog Number: CJR 1081
Orkestra Kith 'n KinHans Reichel (Guitar), Thomas Borgmann (Soprano Saxophone), Lol Coxhill (Soprano Saxophone), Erik Balke (Sopraino Saxophone), Dietmar Diesner (Soprano Saxophone), Jonas Akerblom (Bass Saxophone), Martin Mayes (French Horn), Pat Thomas (Piano), Christoph Winckel (Bass), Mark Sanders (Drums)Wow. Big group, powerful personalities, led by the powerhouse, Mr. Borgmann. Perhaps it’s led by “Turning Loose”—contained within the structure of this extended work is fiery unrestrained playing. The CD concludes with some prime Lol Coxhill humor creations.
Catalog Number: CJR 1076
Bendito of Santa CruzIvo Perelman (Tenor Saxophone), Matthew Shipp (Piano)Notable duets by two of the stronger post Bop personalities on the scene. They come from different perspectives but match up remarkably well. Hard to imagine but rewarding to listen to.
Catalog Number: CJR 1074
Velvet HeatPieter Ostrander (Tenor Saxophone), Mike Schiffer (Piano), Ram Miles (Bass), Theresa Mango (Harp), Randy Kaye (Drums)Another of those quirky and singular documents often found on Cadence Jazz Records, and other independent labels that allow artistry to trump bottom line costs. This was the late Pieter Ostrander’s only recording—and it’s homegrown at that. He and Mike Schiffer play with great emotive joy and sorrow. If you enjoy the pathos evoked by artists like Lester Young, you’ll enjoy this slice of the creative muse.
Catalog Number: CJR 1073
Inside the SphereMick Rossi (Piano), Kermit Driscoll (Double Bass), Charles Descarfino (Drums)Edgy, tentative, and freshly inventive, this never-before-group came together on a hunch by the leader and the result is, in his own words, “a documentation of a couple of days of hazardously quixotic fun.” Sometimes hunches pay off. This one definitely did.
Catalog Number: CJR 1070
Red Rope: 3 Pieces for 2 PlayersGeorge Cartwright (Saxophone), Michael Lytle (Clarinet)This is a study in micro tension. Two reedmen building a dialogue and lines which demand the listener’s focus, and reward it with a singular listening experience.
Catalog Number: CJR Records 1067
Tom Cohen TrioTom Cohen (Drums), Ron Thomas (Piano), Mike Richmond (Bass), Bill Zinno (Bass)(reissue) Tom Cohen (drums) Mike Richmond (bass) Ron Thomas (piano) Bill Zinno (bass on 1 track)
Tom Cohen with Ron Thomas and Mike Richmond, a trio of unexpected invention and turns, prove that mining the Bopstream need not be the same old same old.
Things You Were - Turn Out The Stars - The Red Carpet - Sarabande - Time Remembered - Lyons Waltz - Groove for Andy - Passacaglia - Two Lonely People - The Free Of Us - Untitled Ballad - Motion Potion
Catalog Number: CJR 1064
48 MotivesGeoff Brady (Percussion), Marilyn Grispell (Piano), Vincent Davis (Percussion), Stephen Dembski (Conductor), Scott Fields (Guitar), Joseph Jarman (Alto Saxophone), John Padden (Double Bass), Hans Sturm (Double Bass), Matt Turner (Cello)Scott Fields works in highly disciplined forms. Here it’s a modern day bolero. When we first heard this we were puzzled, but, by the end, pulled in and subdued by its subtle combinations of repetition and improvisation.
Catalog Number: CJR 1064
48 MotivesGeoff Brady (Percussion), Marilyn Grispell (Piano), Vincent Davis (Percussion), Stephen Dembski (Conductor), Scott Fields (Guitar), Joseph Jarman (Alto Saxophone), John Padden (Double Bass), Hans Sturm (Double Bass), Matt Turner (Cello)Scott Fields works in highly disciplined forms. Here it’s a modern day bolero. When we first heard this we were puzzled, but, by the end, pulled in and subdued by its subtle combinations of repetition and improvisation.
Catalog Number: Cadence Jazz Records 1063
Covert ChoreographyMichael Bisio (Bass), Eyvind Kang (Violin), Ed Pias (Drums), Bob Nell (Piano), Rob Blakeslee (Trumpet)Michael Bisio has been well documented by Cadence Jazz Records and CIMP. This short- lived group may have been just too powerful to be popular. This is masterful and interactive stuff and if you think you’re familiar with Mr. Kang’s playing, think again— you’ve never heard him like this.
Catalog Number: CJR 1060
Is Waiting For YouMichael Pagan (Piano), Michael Brothers (Drums), Ed Fedewa (Bass), Ken Morgan (Tenor Saxophone), Rick Holland (Trumpet)If you are looking for a lovely, tasteful, and uncompromised but highly accessible Bop document, this is it. Jazz that just seems so right without insulting jazz intelligence.
Catalog Number: CJR 1060
Is Waiting For YouMichael Pagan (Piano), Michael Brothers (Drums), Ed Fedewa (Bass), Ken Morgan (Tenor Saxophone), Rick Holland (Trumpet)If you are looking for a lovely, tasteful, and uncompromised but highly accessible Bop document, this is it. Jazz that just seems so right without insulting jazz intelligence.
Catalog Number: CJR 1056
So Nice To Meet YouErnie Krivda (Saxophone), Joe Hunter (Piano), Mark Gondor (Drums), Paula Owen (Vocals), Bill Plavan (Bass), Val Kent (Drums), Chris Berger (Bass)It’s rare to hear Ernie Krivda not playing some of his fine originals but here he keeps it standard for the most part except for a couple of Paula Owen originals. Paula Owen is simply one of the best—as her prior Cadence Jazz recordings will attest. This is an interesting pairing and fans of these two distinct stylists will be intrigued by the meshing of their musical personas.
Catalog Number: CJR 1055
Between Speech & SongEric Pakula (Alto Saxophone), Pandelis Karayorgis (Piano), Jonathan Robinson (Bass), Eric Rosenthal (Drums), Mat Maneri (Electric Violin)What a lovely deliberative, quirky, and ruminative group. Even the standards suggest the genesis of inspiration. A fine example of the 1990’s emerging Boston creative improvised music scene.
Catalog Number: CJR 1054
Fat OnionsPaul Flaherty (Alto Saxophone), James "Chumly" Hunt (Trumpet), Mike Murray (Guitar), Randall Colbourne (Drums), Stephen Scholz (Violin), Richard Downs (Bass)Cadence Jazz was the first label to begin documenting the Paul Flaherty and Randy Colbourne partnership (1988/CJR 1042). This 1993 recording finds the pair in the unusual setting of a sextet. But fear not, there is no reining in of their explosive free form designs and yet they remain in concert with the group. Free Jazz with power and no apology.
Catalog Number: CJR 1053
DreamlandDarrell Katz (Conductor), Julius Hemphill (Alto Saxophone), John Carlson (Trumpet), Rob Scheps (Tenor Saxophone), Bob Pilkington (Trombone), Doug Johnson (Piano), David Harris (Trombone), W. Marshall Sealy (French Horn), Douglas Yate (Alto Saxophone), Mike Peipman (Trumpet), Rick Peckham (Guitar), Diana Herold (vibraphone), Andrew D'Angelo (Alto Saxophone), John Dirac (Guitar)Darrell Katz is an enigma to those who know him. Obsessed and driven by his musical visions, he’s managed to squeeze out a handful of recordings over the years while somehow maintaining a stable group in the Jazz Composers Alliance Orchestra. If you like music that’s engaging of both mind and pulse, this is—as are all of his recordings—a feast. Anyone who has played or come in contact with this too overlooked aggregation will agree it is a distinct occurrence.
Catalog Number: CJR 1051
InnocenceJoe Gallivan (Drums), Marcio Mattos (Bass), Elton Dean (Alto Saxello), Evan Parker (Soprano), Neil Metcalf (Flute), Guy Barker (Trumpet), Gerard Presencer (Trumpet), Claude Deppa (Trumpet), Jim Dvorak (Trumpet), Paul Rutherford (Trombone), Ashley Slater (Bass Trombone)Big works by a big group. This remains our favorite Joe Gallivan recording in a career that was first documented back in 1961. Unfortunately this astounding assemblage of players was documented on only one recording, but the extended tracks offer up just the kind of intriguing power and movement that you might hope for from some of Europe’s finest improvisers. Passionate music.
Catalog Number: CJR Records 1049
Ernie Krivda JazzErnie Krivda (Tenor Sax), Bob Fraser (Guitar), Jeff Halsey (Bass), Gary Aprile (Bass), Roger Hines (Bass), Chris Berger (Bass), Pat Hallaran (Trombone), Pete Selvaggio (Accordion), Joe Hunter (Piano), Paul Samuels (Drums), Scott Davis (Drums), Dennis Reynolds (Trumpet), Mike Hazlett (Trumpet)
Catalog Number: CJR Records 1047
Catalog Number: CJR 1045
HomecomingAbbey Rader (Drums), David Liebman (Soprano Saxophone), Mack Goldsbury (Tenor Saxophone), Richard Oppenheim (Alto Saxophone), Roy Cumming (Bass)Abbey Rader, a respected drummer with a discography that stretches back to the mid 1970’s, has always worked the fringes. As a result, his infrequent recordings appear on small purist labels, often in the company of his long-time musical associates. On this recording is displayed his compositional strengths in a set of straight ahead, un-compromised Free Bop. As a side note this was the first CD-only issue for Cadence Jazz Records.
Catalog Number: CJR 1037
Sonic ExplorationsRob Brown (Alto Saxophone), Matthew Shipp (Piano)These are the first recordings of both Mr. Shipp and Mr. Brown. It’s a strong debut and the root of vast recording careers over the next few decades. Originally issued on LP, this CD issue retains the original 1988 interview with the players and supplies additional takes of “Oleo” and “Blue in Green.” Wonderful music and a historical document to boot.