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The Last Dance Volumes 1 and 2
The Last Dance Volumes 1 and 2Dominic Duval (Bass), Cecil Taylor (Piano)Recorded live in performance, this is arguably the definitive collaboration between Dominic Duval and Cecil Taylor during their 10-year tenure together. And for those who think they know all Cecil Taylor, this is something else; Cecil Taylor like you've never heard before. Additionally, it's a budget priced 2-fer in a soft pack.
Han & Frode
Han & FrodeHan Bennink (Drums), Frode Gjerstad (Saxophone)An hour of serious interplay by two of the most naturally creative minds—both of them having fun without being cute. “Inderoy” in six parts with flow and energy—this is anything other than more of the same. A refreshing dialogue.
Magical Listening Hour Live at The South Street Seaport
Magical Listening Hour Live at The South Street SeaportSteve Swell (Primary), Louie Belogenis (Saxophone), Michael Attias (Saxophone), Nate Wooley (Trumpet)Steve Swell has authored a number of sessions and groups but nothing quite like this. Recorded live in New York City's Space Gallery, this continuous 70-minute performance is calming yet tension-filled. Utilizing a carefully controlled minimalist technique, the "four-play" develops a cumulative movement and rhythm impressive in its technique and punch—sort of a post Bop body & soul quartet. ...
Live From Yoshi's
Live From Yoshi'sDavid Haney (Piano), John Tchiacai (Saxophone), Adam Lane (Bass), Mat Marucci (Drums), Duck Baker (Guitar), Rob Scheps (Saxophone)Here is an historical release that has remained amazingly up-to-date. This is the remarkable David Haney's earliest recording to date. Recorded live in April 2000, it finds Mr. Haney in some pretty fast company. An informal/formal meeting, it's a wonderful example of creative minds creating while keeping their feet on the floor. A fun get-together and another distinct offering from David Haney's growing body of work.
The Spirits at Belle's
The Spirits at Belle'sJimmy Bennington (Drums), Perry Robinson (Clarinet), Mathew Golombisky (Bass), Daniel Thatcher (Bass)Jimmy Bennington and Perry Robinson show no generation gap. Bennington plays like a veteran and Robinson delivers with a young lion's innocence. This is a pairing that over the past few years seems to have brought out the best in both. Here they stretch out in relaxed but dynamic fashion over three tracks and produce what is arguably some of their finest work to date.
Forward
ForwardBrian Landrus (Saxophone), George Garzone (Saxophone), Allan Chase (Saxophone), Jason Palmer (Trumpet), Michael Cain (Piano), John Lockwood (Bass), Rakalam Bob Moses (Drums), Rupac Mantilla (Percussion)There's a new baritone sax voice in town–Brian Landrus, who impresses also on bass clarinet, alto flute, and as a composer of the majority of this program's compositions. Joining him are a few veterans including George Garzone, John Lockwood, Allan Chase, and Bob Moses; each known not only by his past body of work but also for the select company each chooses to keep.
Red Feast
Red FeastStephen Gauci (Primary), Nels Cline (Guitar), Ken Filiano (Bass), Mike Pride (Drums)Stunning saxwork combined with fresh and forceful rhythms create a recording session which is unrelenting in its drive and invention. Quite simply this is Gauci-Cline-Filiano-Pride at their best and, as a group, even ...
Live at the Detroit Montreux Jazz Fest 1981
Live at the Detroit Montreux Jazz Fest 1981Bob Szajner (Piano), Ed Pickens (Bass), Frank Isola (Drums)Live at the Detroit Montreux Jazz Fest 1981 CADENCE JAZZ 1215: Bob Szajner is a bopster and prolific composer. He's been in and out of the Detroit Jazz scene since the 1950's. This release documents one of his last concerts and gives ample evidence of his talents and abilities. Complementing this package are extensive notes by the pianist along with perspectives by Michael Nastos and Bob Rusch. This nicely fills in a gap in Detroit's Jazz history and is the complete package.
If You Should Go
If You Should GoTomas Ulrich (Primary), Rolf Sturm (Guitar), Michael Bisio (Bass)Welcome to the debut of Tomas Ulrich's Cargo Cult. This recording so impressed the folks at CIMP Records that they immediately contracted for three recordings on that label. Hard to describe this group as it comfortably draws from a broad pallet, not just from the Jazz/improvised music genre but from the so-called Classical, Pop, and Rock genres. On this live date you'll get Cargo Cult in the raw ...
Ride Of Your Life
Ride Of Your LifeGeorge Dulin Disband (Primary), Danny Zanker (Bass), Take Toriyama (Drums), Jordan Perlson (Drums), George Dulin (Piano)This is George Dulin’s first release and what a wondrous debut. Cadence Jazz suspects he may be a new stylist—but with only one release it’s hard to tell. What is certain: he is assured and mature in his original workings based, basically, on some great old standards. For those who think inside can no longer challenge direction and performance, this will test that assumption. The liners say he’s “an alchemy of Bud Powell and Don Pullen” while George Garzone calls him unique. We just call it wonderful listening.
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