Albums Featuring Instrument or Role - Drums
View the complete list of instruments and artist roles.
Catalog Number: Cadence Jazz Records 1232
Why Not?Mat Marucci (Drums), Doug Webb (Saxophone), Rob Lemas (Bass)Mat Marucci (drums) + Doug Webb (tenor + soprano sax) with Rob Lemas (bass)
Why Not?
Mat Marucci and Doug Webb have established themselves as more than just a team: they are a dynamic duo. Or as one writer aptly said, channeling the interplay and energy of Elvin Jones and John Coltrane.
On this latest effort they bring their energy to nine tracks. Mostly originals. All accessible. All dynamic. Free Bop at its best. Recorded live.
why not? - 4 in 3 - steps to the left - another kind of mood - avenue of the americas - lifeline - variations on a theme by Verdi - three piece suit - finally dandy
Catalog Number: Cadence Jazz Records 1228
Rain of LightHeinz Geisser (Drums), Shiro Onuma (Drums)Heinz Geisser (drums, percussion) & Shiro Onuma (drums, percussion)
If you’re a fan of high energy drums then this is for you. With roots in the great drum battles of the ‘50s and ‘60s, this recording presents an amazing dynamic and rhythmic drive that no doubt would amaze Baby Dodds—not to mention Big Sid, Krupa, Rich, Blakey, Max, and Elvin. The excitement of this live recording is undeniable. And to maintain this technical and emotional level over 4 cuts is remarkable—and breathtaking. 4 hands, 4 legs, 1 heart. Recorded live at Tokyo’s Pit Inn.
Rain of Light - On our hands - Urashima Taro - Dreams across the land
Catalog Number: Cadence Jazz Records 1227
Han & FrodeHan Bennink (Drums), Frode Gjerstad (Saxophone)An hour of serious interplay by two of the most naturally creative minds—both of them having fun without being cute. “Inderoy” in six parts with flow and energy—this is anything other than more of the same. A refreshing dialogue.
Catalog Number: Cadence Jazz Records 1220
Live From Yoshi'sDavid Haney (Piano), John Tchiacai (Saxophone), Adam Lane (Bass), Mat Marucci (Drums), Duck Baker (Guitar), Rob Scheps (Saxophone)Here is an historical release that has remained amazingly up-to-date. This is the remarkable David Haney's earliest recording to date. Recorded live in April 2000, it finds Mr. Haney in some pretty fast company. An informal/formal meeting, it's a wonderful example of creative minds creating while keeping their feet on the floor. A fun get-together and another distinct offering from David Haney's growing body of work.
Catalog Number: Cadence Jazz Records 1219
The Spirits at Belle'sJimmy Bennington (Drums), Perry Robinson (Clarinet), Mathew Golombisky (Bass), Daniel Thatcher (Bass)Jimmy Bennington and Perry Robinson show no generation gap. Bennington plays like a veteran and Robinson delivers with a young lion's innocence. This is a pairing that over the past few years seems to have brought out the best in both. Here they stretch out in relaxed but dynamic fashion over three tracks and produce what is arguably some of their finest work to date.
Catalog Number: Cadence Jazz Records 1218
ForwardBrian Landrus (Saxophone), George Garzone (Saxophone), Allan Chase (Saxophone), Jason Palmer (Trumpet), Michael Cain (Piano), John Lockwood (Bass), Rakalam Bob Moses (Drums), Rupac Mantilla (Percussion)There's a new baritone sax voice in town–Brian Landrus, who impresses also on bass clarinet, alto flute, and as a composer of the majority of this program's compositions. Joining him are a few veterans including George Garzone, John Lockwood, Allan Chase, and Bob Moses; each known not only by his past body of work but also for the select company each chooses to keep.
Catalog Number: Cadence Jazz Records 1217
AlignmentPetter Frost Fadnes (Saxophone), Rus Pearson (Bass), Paul Hession (Drums), The Thin Red Line (Primary)Petter Frost Fadnes (alto saxophone) Rus Pearson (double bass) Paul Hession (drums, percussion)
Fadnes, Pearson, and Hession: not household names but, based on this release, definitely worthy of being so.
All three come out of the Leeds music scene in England. This recording is the result of many many hours of rehearsals and gigs. Free music that works off compositions and develops in natural, organic power trips. Clearly this is a trio familiar and trusting of its colleagues. There is a solid soul to this music, wonderful development, and clear respect for the listener.
Frankie - 4 Trio III - 5 Judges - 4 Trio II - Every Time it Rains, I’ll Think About You - 4 Trio IV - London
Catalog Number: Cadence Jazz Records 1216
Red FeastStephen Gauci (Primary), Nels Cline (Guitar), Ken Filiano (Bass), Mike Pride (Drums)Stunning saxwork combined with fresh and forceful rhythms create a recording session which is unrelenting in its drive and invention. Quite simply this is Gauci-Cline-Filiano-Pride at their best and, as a group, even ...
Catalog Number: Cadence Jazz Records 1215
Live at the Detroit Montreux Jazz Fest 1981Bob Szajner (Piano), Ed Pickens (Bass), Frank Isola (Drums)Live at the Detroit Montreux Jazz Fest 1981
CADENCE JAZZ 1215: Bob Szajner is a bopster and prolific composer. He's been in and out of the Detroit Jazz scene since the 1950's. This release documents one of his last concerts and gives ample evidence of his talents and abilities. Complementing this package are extensive notes by the pianist along with perspectives by Michael Nastos and Bob Rusch. This nicely fills in a gap in Detroit's Jazz history and is the complete package.
Catalog Number: Cadence Jazz Records 1213
Ride Of Your LifeGeorge Dulin Disband (Primary), Danny Zanker (Bass), Take Toriyama (Drums), Jordan Perlson (Drums), George Dulin (Piano)This is George Dulin’s first release and what a wondrous debut. Cadence Jazz suspects he may be a new stylist—but with only one release it’s hard to tell. What is certain: he is assured and mature in his original workings based, basically, on some great old standards.
For those who think inside can no longer challenge direction and performance, this will test that assumption. The liners say he’s “an alchemy of Bud Powell and Don Pullen” while George Garzone calls him unique. We just call it wonderful listening.
Catalog Number: Cadence Jazz Records 1212
StringsSalim Washington (Primary), Alva Anderson (Saxophone), Charlie Burnham (Viola), Henry Cook (Flute), Akua Dixon (Cello), Melanie Dyer (Viola), Rosi Hertlein (Violin), Clarissa Howell (Cello), Hakim Jami (Bass), Howard Johnson (Clarinet), Mark Johnson (Drums), Jaribu Shahid (Bass)Here is an ambitious effort by all concerned, a unique gathering and scoring of some very heartfelt music. The result is uplifting spirit music to both dance to and ponder. This is a celebratory event and will appeal to a broad range of Jazz and "non-Jazz" ...
Catalog Number: Cadence Jazz Records 1206
FlowKyle Aho (Primary), Jeremy Allen (Bass), Richie Barshay (Drums)Kyle Aho is a pianist worth listening to. A quirky mainstreamer, he utilizes the mainstream-based technique and impregnates it with odd twists and turns. Respected in the music community, Kyle's earlier work (CadenceJazz 1182, CadenceJazz 1204) is almost exclusively in the company of Joel Press, and both Cadence Jazz releases have been singled out for the pianistic work. Something fresh for the ...
Catalog Number: Cadence Jazz Records 1203
No Lesser EvilMat Marucci (Drums), Doug Webb (Tenor Saxophone), Kerry Kashiwagi (Bass)Fresh Hard Bop with no punches pulled or compromises. This stays fresh listen after listen and yet remains accessible to a broad range to tastes. New life from familiar standards and an old forum.
Catalog Number: Cadence Jazz Records 1202
For The ChildrenMichael Jefry Stevens (Piano), David Schnitter (Saxophone), Dominic Duval (Bass), Jay Rosen (Drums)This recording is part of the Cadence Jazz Historical Series. This was outstanding music back when it was recorded in the mid 1990s; and it remains so today. The only difference now is the significance and early placement in the discographies of the individual artists who are now leaders in the field of creative improvised music. Exciting, demanding, and rewarding listening.
Catalog Number: Cadence Jazz Records 1201
Nothing But Blue SkyChris Humphrey (Vocals), Matt Wilson (Drums), Martin Wind (Bass), Mark Shilansky (Piano)This is classic Jazz vocal - timeless in its appeal and natural in its delivery. A wonderful example of the art of vocalist as instrumentalist.
Chris Humphrey makes his debut on 8 standards and 3 notable originals, delivered with sincerity and a naturalness of flow. Chris Humphrey is a singer of significance.
Catalog Number: Cadence Jazz Records 1200
Trio X: Roulette at Location OneTrio X (Primary), Joe McPhee (Soprano Saxophone), Jay Rosen (Drums), Dominic Duval (Bass)Trio X first worked together as part of a 1998 CIMPhonia (CIMP 175 and 178) gathering with Paul Smoker, Mark Whitecage, David Prentice, and Peter Kowald from which they carved out their group, Trio X, and made their first recording (The Watermelon Suite, CIMP 183).
Roulette at Location One is their eighth recording and the latest release.
This session is a beautiful representation of Trio X's brilliant use of theme developoment, emotional impact, and thoughtful musicality. It's a hell of a ride.
Catalog Number: Cadence Jazz Records 1199
Kaivalya Vol. #2Paul Flaherty (Alto Saxophone), Marc Edwards (Drums)Volume 2 of the stunning duet work between these two seasoned and committed improvising artists. A fine example over five tracks of the maturity of vision and discipline of freedom and restraint.
Catalog Number: Cadence Jazz Records 1196
Catalog Number: Cadence Jazz Records 1195
Catalog Number: Cadence Jazz Records 1193
BuffaloAdam Lane (Bass), Vinny Golia (Tenor Saxophone), Paul Smoker (Trumpet), Vijay Anderson (Drums)In February 2005, Adam Lane's Trio recorded two releases for the CIMP label (#s 325 and 335), collectively and individually still considered to be among the participants' finest work.
After those CIMP sessions, the trio concluded its tour with a performance in Buffalo, NY. At that time they were joined by Paul Smoker and here are the results. It doesn't get better than this.
Catalog Number: Cadence Jazz Records 1192
Live at The Guelph FestivalLou Grassi (Drums), Marshall Allen (Alto Saxophone)The musicality and range of playing on this concert over and over will suggest this is more than a duo. No safety nets here - and none needed when these two inventive fellows reunite.
Catalog Number: Cadence Jazz Records 1190
We're Comin' Just One TimeThe Gauci Trio (Primary), Stephen Gauci (Tenor Saxophone), Terence Murren (Bass), Jeremy Carlstedt (Drums)Stephen Gauci took years to develop into the formed and distinct tenor saxist he is. After years of no documentation, Stephen has come on strong in 2004/05. This work falls chronologically between his first Cadence Jazz release (#1180 - Long Night Waiting) and his recent CIMP date (#326 - First, Keep Quiet). Both recordings have received notable critical acclaim as well as attention from other improvising musicians.
To say that we have received calls from musicians almost demanding to know if "he's as good as or different as it seems" would not be an exaggeration. On this CD Stephen investigates the relationship between freedom and form.
Catalog Number: Cadence Jazz Records 1189
Catalog Number: Cadence Jazz Records 1188
Don't Count On GloryLindsey Horner (Bass), Jeff Berman (Percussion), Uri Caine (Piano), Jim DiSpirito (Percussion), Marty Ehrlich (Saxophone), Colter Harper (Guitar), Neal Kirkwood (Piano), Brian Lynch (Trumpet), Pete McCann (Guitar), Allison Miller (Drums), Ben Opie (Saxophone), Bobby Previte (Drums), Lou tellute (Saxophone), Eric Susoeff (Guitar), Dave Throckmorton (Drums), Lieven Venken (Drums)Lindsey Horner is best known as a bassist (though his reeds make an appearance on this date) who's been one of the players in the thick of the post '70s New York improvising scene. But for those who have followed his own releases, it's clear that his is a rather distinct color from most of his colleagues. This recording was a few years in the making, but as Bob Rusch says in the program notes, "...this is the logical point Lindsey’s music has been moving toward...and is his most idiomatically realized to date." Emotional and intellectual depth unite here, making good music great music.
Catalog Number: CJR 1185
In The Stillhouse (Live)The Slam Trio (Primary), Blaise Siwula (Saxophone), Adam Lane (Bass), Toshi Makihara (Drums)Recorded live at Portland, Maine's, Stillhouse, this captures, at the top of their form, three demanding improvisers who make up a dynamic trio uncompromisingly caught in three extended improvisations. The last show of the last night of the last day of a 3-day gig, this blow-out doesn't just add to the discography of the trio, it extended it in real and notable ways.
Catalog Number: Cadence Jazz Records 1184
Jack RabbittDon Menza (Tenor Saxophone), Bobby Jones (Hammond B3 Organ), John Bacon (Drums)Here's an unpretentious gathering by three congenial artists who have been working together for years. Giving fresh reference to the classic tenor-B3-rhythm combos of the previous generation, this timeless music is not about bombast but about hard swing and groove.
Catalog Number: Cadence Jazz Records 1182
How's The Horn Treating You?Joel Press (Tenor Saxophone), Kyle Aho (Piano), Jeremy Allen (Bass), Richie Barshay (Drums)Joel Press is a rarely recorded veteran of the creative music scene. Even so, he is equal to the best. Here he deconstructs a Lestorian nuance combined with a Websterian matter-of-fact-ness. Joel Press is an absolute master of the emotive understatement. He joins the Kyle Aho trio (Press has previously worked in duo with Aho), a group quite solid in its own right. Reflective and evocative.
Catalog Number: Cadence Jazz Records 1181
Catalog Number: Cadence Jazz Records 1180
Long Night WaitingStephen Gauci (Tenor Saxophone), Mike Bisio (Bass), Jay Rosen (Drums)Tenor saxophonist Stephen Gauci is a new name, but one which you'll hear more of this year. Focused and dynamic, this July 2004 date pre-dates his recent CIMP (#323) work with the Mike Bisio quartet. Here he's in a free blowing situation. Free blowing perhaps, but?as the seven tracks prove?not without purpose.
Catalog Number: Cadence Jazz Records 1178
GenesisMat Marucci (Drums), Markus Burger (Piano), John Tchicai (Tenor Saxophone), Doug Webb (Tenor Saxophone), Adam Lane (Bass), Steve Gundhi (Alto Saxophone), Tony Passarell (Baritone Saxophone), Steve Roach (Trumpet), John Allen (Percussion), Fred Randolph (Bass)Mat Marucci and Markus Burger began collaborating in 2002. Their concepts are wide and full as this varied, but whole, work proves. Solid playing and complete compositions manage to make the 11 parts of the CD hang together as a satisfying complete suite.
Catalog Number: Cadence Jazz Records 1177
Kaivalya Volume 1Paul Flaherty (Alto Saxophone), Marc Edwards (Drums)The power of Marc Edwards encounters the power of Paul Flaherty. Two icons of creative eccentricity show why, in the hands of creative minds, free improvisation is a beautiful thing. The six excursions here will have you wanting more. The good news is there will be more as this is Volume 1 of this rare pairing.
Catalog Number: Cadence Jazz Records 1175
With Don Messina & Bill ChattinJon Easton (Piano), Don Messina (Bass), Bill Chattin (Drums)Pianist Jon Easton is a former student of Lennie Tristano and subsequently worked for ten years with Sal Mosca. Jon met drummer Bill Chattin in the 1970's, when Bill was also a student of Tristano. Bassist Don Messina began working with Jon and Bill in 1985. Over the past two decades this trio has assimilated the freedom of the Tristano abstraction into an intuitive unit which enables it to extend lines and imagination without losing touch with a more traditional structure as evidenced by the giving of new life, energy, and challenge to the nine standards found on this release.
Catalog Number: CJR Records 1174
slammin' the infiniteSteve Swell (trombone/composition), sabir mateen (tenor/alto/flute/clarinet/alto clarinet), matthew heyner (Bass), klaus kugel (Drums)Steve Swell has been coming on strong in the past few years with a solid body of recordings, national, and international tours and now yet another solid recorded concept. It's power on power with this international 4tet and, as Gerald Schwartz writes, "Slammin' the Infinite will remain a scale by which to measure.
Catalog Number: Cadence Jazz Records 1171
SegmentsJohn Hagen (Tenor Saxophones), Denman Maroney (Piano), Mark Dresser (Bass), Shanir Blumenkranz (Bass), Gerry Hemingway (Drums), Todd Capp (Drums)A professional musician since the early 1970s and a former student of a number of people, ranging from Jimmy Cheatham and Randy Sandke to Warne Marsh and Bill Dixon, it's surprising that this is Mr. Hagen's first release under his own leadership in 54 years. And in listening to the 15 little gems that make up this work, the surprises keep coming. This is a saxophonist who will draw in the listener with his emotive, logically constructed, and powerful statements. Fifteen cuts: a marvel in concise statements and, while unknown, not undeserving of your attention. Art—not hype.
Catalog Number: Cadence Jazz Records 1170
Opening The GatesJames Finn (Tenor Saxophone), Dominic Duval (Bass), Whit Dickey (Drums)The debut of a new tenor voice. Logical, meaty and powerful, this post Bop offering was originally intended as a demo, but when CIMP producer Robert Rusch heard it, he decided not only to release it, but signed on Finn to a future CIMP session this Spring. Here is a taste of what's to come.
Catalog Number: Cadence Jazz Records 1169
All The NotesCecil Taylor (Piano), Dominic Duval (Bass), Jackson Krall (Drums)All the notes here are in the music, not in the liners. This is the concert that Minnesotans have been speaking about since 2000. This massive 3 part improvisations featuring Mr. Taylor with his trio of the past 10 years finds them at the top of their game. An important document and a memorable night.
Improvisation I - Improvisation II - Improvisation III.
Catalog Number: Cadence Jazz Records 1166
Intuitive StructuresKevin Norton (Drums), Louie Belogenis (Tenor Saxophone), Tomas Ulrich (Cello), John Lindberg (Bass)In his liner notes, Kevin Norton comments on the music that "the focus continually changes, but all these changes are improvised"; a great example of improvising teamwork, concerned with total sonic result (and not "where do I get my solo in?"). These are some of the leader's most engaging compositions, for quintet that has both power and finesse.
Catalog Number: Cadence Jazz Records 1165
Focus on Stan GetzErnie Krivda (Tenor Saxophone), Rufus Reid (Bass), Andy LaVerne (Piano), Adam Nussbaum (Drums)Ernie Krivda, one of the most distinctive tenor sax stylists in Jazz today, takes on one of the most distinctive tenor sax stylists of the past with respect and admiration in this historic revisit of Eddie Sauter's Stan Getz Collaboration, Focus. Never recorded after the original 1961 sessions, Ernie sought out Andrew Holmzy who tracked down the original score. Then in 1998, Ernie, The Quartet, and a 20-piece orchestra conducted by John Russo, presented Live in Severance Hall - a concert of the work. A recording of this historic occasion has surfaced and the world can now experience the brilliance of Krivda, Sauter & the Getz legacy. This is a moving and hip experience.
Catalog Number: Cadence Jazz Records 1164
Motion EjectaMilo Fine (Primary), Mick Beck (Tenor Saxophone), Paul Hession (Drums)Milo's latest and we think most exciting release to date. Here, this veteran Free Jazzer is joined by Mick Beck and Paul Hession in a  never before/never again canvas of purposeful color and rhythm, all of which will challenge and satisfy that grey area between your ears. Live.
Catalog Number: Cadence Jazz Records 1163
You Must Believe In SwingMarc Pompe (Vocals), Joey Defrancesco (Hammond B-3), Henry Johnson (Guitar), Byron Landham (Drums), Curt Warren (Guitar), Judy Roberts (Piano)Marc Pompe is a distinct and memorable singer. he's been at it for over 50 years, but had scarce documentation. More concerned with the art than the commerce, Mr. Pompe, Cadence Records, and CIMP Records have set about to rectify the situation with a series of 3 recordings to be released over the next handful of months.
You Must Believe in Swing is simply a great recording. And if you're a fan of the art of the Jazz singer - give this a try. With 2 more releases to follow, you know we stand behind Marc Pompe's artistry.
Catalog Number: Cadence Jazz Records 1162
Foward EnergyJim Ryan (Saxophone), Alicia Mangan (Tenor Saxophone), Scott R. Looney (Piano), Adam Lane (Contrabass), Marshall Trammell (Drums)Jim Ryan is a creative and catalytic force in the San Francisco Bay Area. His music has a passion and, yes, a forward energy which would put artists a third his age to shame. Here he brings his energized group together to stretch out for 5 tracks on what is arguably his finest and fullest recorded display of his music. This is intense music and unrelenting interplay. It’s a lot of listening here—over 70 minutes that will take you hours to absorb and with wonderful features from all.
Catalog Number: Cadence Jazz Records 1161
The Welsh ChapelFrode Gjerstad (Alto Saxophone), John Edwards (Bass), Mark Sanders (Drums)This is Frode Gjerstad's 8th Cadence Jazz Records release, every one of them distinct and refreshing. This CD, recorded in a Welsh chapel over a five hour period, finds Frode playing with fresh nuance and renewed passion. To say he is the most dynamic free improviser in Norway is a qualifier this world-class saxman has long outgrown.
Catalog Number: Cadence Jazz Records 1160
Shadow Intersections WestPaul Murphy (Primary), Marco Eneidi (Alto Saxophone), Kash Killion (Cello), Paul Murphey (Drums)After 30 years it seems as though listeners are catching up to Paul Murphy, '70s avant-gardist/2000's musical artist. This is Paul's second Cadence date with Kash Killion (CJR 1147), without question one of the most electrifying Jazz/improvising cellists on the scene. Joining Paul & Kash is Paul's old associate, Marco Eneidi. Pithy, plucky, and rhythmic, this is improvisation of a close knit for careful listening.
Catalog Number: Cadence Jazz Records 1159
This NowSteve Swell (Trombone), Jemeel Moondoc (Alto Saxophone), Matt Lavelle (Trumpet), Cooper Moore (Piano), Wilber Morris (Bass), Kevin Norton (Drums)Steve Swell’s Unified Theory of Sound is a case of strength on strength. The force of Steve’s trombone styling and compositions is beautifully complemented and integrated by this exceptional grouping. POWerful music, recorded live in New York City. A generous helping of listening substance.
Catalog Number: Cadence Jazz Records 1158
CosmosAbbey Rader (Drums), Dave Liebman (Saxophone)Abbey Rader and Dave Liebman: a new chapter in their longtime association. The mostly original 11 tracks include, in tribute, some of the music of John Coltrane and an homage to Charlie Parker. This is a live concert with many wonderful parts, all coming together for an emotional Big Bang exceeding the sum of its parts.
Catalog Number: CJR 1154
The Music of Ernie KrivdaErnie Krivda (Tenor Saxophone), Dominick Farinacci (Trumpet), Bob Fraser (Guitar), Steve Richko (Piano), Demetrius Steinmetz (Bass), Carmen Intorre (Drums)This is the beginning of a renewed association between Ernie Krivda and CIMP/Cadence Jazz. This date presents his new sextet, featuring the passionate work of the young trumpeter, Dominic Farinacci.
Ernie Krivda remains one of the most distinctive sax stylists in Jazz. If you know his work then you know this to be a fact. If not, well, here is a chance to test the point. And with this recording you get an all-Krivda program that's distinctive as well. Few people are neutral about the Krivda style; bold statements will foster such discordance.
Catalog Number: CJR 1153
In, Thru, and OutHiro Honshuku (Flute), Jim Hobbs (Alto Saxophone), Jeff Hudgins (Alto Saxophone), Phil Scarff (Tenor Saxophone), Hans Indigo (Baritone Saxophone), Mike Peipman (Trumpet), Keiichi Hashimoto (Trumpet), Jim Mosher (French Horn), Bob Pilkington (Trombone), David Harris (Trombone), Jim Gray (Tuba), Rebecca Shrimpton (Voice), Art Bailey (Piano), Norm Zocher (Guitar), Rick McLaughlin (Acoustic Bass), Rich Greenblatt (Vibraphone), Harvey Wirht (Drums), Taki Masuko (Percussion), Darrell Katz (Composer), Laura Andel (Composer), Warren Senders (Composer)The Jazz Composers Alliance Orchestra outdoes itself on this release, creating large music carefully detailed and with climaxes worthy of the talents of this 18-piece ensemble. Included in the program is the tribute, “Hemphill,” a 4-part opus celebrating the spirit of Julius Hemphill. A big band with big concepts executed by big talents.
Catalog Number: CJR 1152
Trips Jobs and JourneysNoah Rosen (Piano), Didier Levallet (Bass), Makoto Sato (Drums)You could say this recording has been about 25 years in the making. Now in his 40s, this is Mr. Rosen's recorded debut - after all those years of playing in the States and Europe. This is more than just another piano trio outing; this is a focused, thoughtful, creative improvised excursion by a voice that is forceful in executing a concert of original statement. As Andrew Hill says in his liner notes, "Noah has made...the freshest material I have heard in twenty years or more."
Catalog Number: CJR 1151
Live in ParisJemeel Moondoc (Saxophone), Cody Moffett (Drums), William Parker (Bass), Roy Campbell, Jr. (Trumpet), Zane Massey (Tenor Saxophone)Finally - Jemeel in a small group with another saxman. If you expect the possiblity of excellence from Mr. Moondoc (and you know that Cadence issues only the finest, relative to an artist's work) then those expectations not only will be high for this live date but they also will be more than adequately met.
Catalog Number: CJR 1147
EnarrePaul Murphy (Drums), Joel Futterman (Piano), Kash Killion (Cello)After too many years of relative obscurity, Paul Murphy is beginning to re-emerge as a profound voice in new music. Here he unites with Joel Futterman and Kash Killion for riveting interplay over 5 tracks. This is the beginning of an association between Paul Murphy's uncompromised music and Cadence/CIMP Records with more extraordinary developments to come.
Catalog Number: CJR 1146
You'd Be So Nice To Come Home ToRick Holland (Flugelhorn), Terry Lower (Piano), Ed Fedewa (Bass), Larry Ochiltree (Drums), Hendrik Meurkens (Harmonica)To characterize Rick Holland's trumpet as mellifluous might be an understatement. On his latest outing he brings along Hendrik Meurkens, arguably one of the 2 finest harmonicisists in Jazz on a warm, mellow - but engaging - program.
Catalog Number: CJR 1144
TrioX: In Black and White: On Tour...Ann Arbor/NYCJoe McPhee (Saxophone), Dominic Duval (Bass), Jay Rosen (Drums)Trio-X: what can we say? McPhee, Duval & Rosen, like few others, know how to cut to the zone of inspired improvisation and start this inspired interaction at a level most are happy to achieve. And from there they go deeper.
Their latest on-tour recording finds them in Ann Arbor, Michigan, and New York City, New York. "God Bless the Child," "'Round Midnight," and "Going Home" are just some of the vehicles used in this jaw-dropping excursion.
Catalog Number: CJR 1143
Catalog Number: CJR 1142
Catalog Number: CJR 1140
Catalog Number: CJR 1138
Jazz Corps: Live At the Lighthouse 1963-67 Vol. IITommy Peltier (Cornet), Freddy Rodriguez (Alto Saxophone), Lynn Blessing (Vibes), Bill Plummer (Bass), Maurice Miller (Drums)Part 2 documenting one of the hippest and most advanced new Jazz guys on the West Coast. Let this (and its companion, Cadence Jazz 1101) be a witness that the revolution was not just on the East Coast.
Catalog Number: CJR 1137
In The SunlightBob Magnuson (Soprano Saxophone), Tom DeSteno (Drums), Cameron Brown (Bass), Jason Hwang (Violin), Rolf Sturm (Guitar), Ed Neumeister (Trombone), Scott Healy (Piano), Gary Guzio (Trumpet), Eric Goletz (Trombone)This is an odd one for Cadence Jazz and the Magnuson-Desteno duo. Electronics, synthesizers, even a suggestion of fusion. But musically it has integrity and all the parts hang together (tracks range from under a minute to over 17 minutes) to produce a haunting whole that’s greater than the sum of its parts.
Catalog Number: CJR 1136
Caramel Topped TerrierDavid Haney (Piano), Julian Priester (Trombone), Wilbert de Joode (Bass), Han Bennink (Drums)This offers the best of the early documentation of David Haney’s work. Haney is an original whose handling of abstraction and line has a few roots in the unusual lineage of improvisation. Still deeply moving and refreshing in its unique approach.
Catalog Number: Cadence Jazz Records 1135
OWEScott Rosenberg (Tenor Saxophone), Tim Daisy (Drums), Kyle Hernandez (Contrabass), Todd Margasak (Cornet)The post Hard Bop aesthetic is the tradition Scott Rosenberg’s Red Band references. Deceptively simple composition full of complexities and notable solo work.
Catalog Number: CJR 1134
Trio X: on tour...toronto/rochesterJoe McPhee (Saxophone), Dominic Duval (Bass), Jay Rosen (Drums)Hey, it’s Trio X. Tried, true, and wonderful.
Catalog Number: CJR 1133
Full Throttle OrchestraVijay Anderson (Drums), Aaron Bennett (Tenor Saxophones), Myles Boisen (Electric Guitar), Jeff Chan (Tenor Saxophone), John Finkbeiner (Electric Guitar), Darren Johnston (Trumpet), Adam Lane (Bass)This is the follow-up to Adam’s amazing recording debut on Cadence Jazz 1104, Hollywood Wedding. Today many have come to expect brilliance from Mr. Lane, but, after listening to the first two Cadence recordings, obviously it was all in place by the end of the 1990s.
Catalog Number: CJR 1132
Mainstream ExtensionsJoel Press (Tenor Saxophone), Gray Sargent (Guitar), Marshall Wood (Bass), Bob Savine (Drums), Marty Ballou (Bass)To quote from the liners, “I was affected by this music, not because of any radical or avant approach, but because it moved with a rhythm that seemed natural and it spoke with a direct honesty and made statements with substance; old container, fresh vintage, if you will.” A recording of beautiful mainstream music from every consideration.
Catalog Number: CJR 1131
And Now I Can See Crows Mating in the MistPam Purvis (Voice), Wilber Morris (Acoustic Bass), Denis Charles (Drums), Bob Ackerman (Flute), Herb Robertson (Trumpet)The group here was a joining of musical artists who often got together “at home” to woodshed, work out musical ideas, and play for their own pleasure. Both the late Wilber Morris and Denis Charles had the spirit of giving and music that encouraged such gatherings. In putting together this informal approach in the more formal setting for recording, Bob Ackerman invited his friend Herb Robertson (who was in town) to join “The Quartet.” Herb did and here are the results. Liner notes from Mr. Ackerman and Ms. Purvis relate the background and circumstances of the gatherings.
Catalog Number: CJR 1129
AntipodesSteuart Liebig (Contrabass Guitar), Vinny Golia (Contralto Clarinet), Billy Mintz (Drums)“Improvised but not random, free but still lyrical, the music here is a journey of joy and rewards.” And, one might add, by three of the finest if not famous.
Catalog Number: CJR 1126
The Blessing Light: for John StevensFrode Gjerstad (Alto Saxophone), Oyvind Storsund (Bass), Paal Nilssen-Love (Drums)At the time this presented both a new group and platform for Frode, who dedicated the music to his deceased former partner, John Stevens. To quote from the liner notes, “Few sax men alive give the saxophone a workout like Frode Gjerstad. Not just a hell-bent for leather workout, but an excursion with purpose and logic to complement its power and lunge.”
Catalog Number: CJR 1125
The FlowGal Ziv (Guitar), Don Braden (Tenor Saxophone), Joris Teepe (Bass), Vito Lesczak (Drums), Emanuelle Somer (Oboe)This was the debut of a promising guitarist/composer who soon after went into film work/making. Film’s gain is Jazz’s loss but fortunately for Jazz fans we will always have the flow, sweetheart. A thoughtful, structured, and understated Bop date.
Catalog Number: CJR 1123
Calling All SpiritsAvram Fefer (Saxophone), Eric Revis (Bass), Igal Foni (Drums)Avram’s debut, and it’s impressive. As his later recordings for CIMP and Boxholder show, Avram is an intense and focused player whose playing leaves no doubt that it’s all about the music. This 1999 recording continues to hold its own beside his later work.
Catalog Number: CJR 1120
BadlandsBlaise Siwula (Alto Saxophone), Vattel Cherry (Bass), Jeff Arnal (Drums)Blaise Siwula has one of the most distinct sounds on Jazz sax. This date alternates between 6 trio tracks, live at the Knitting Factory, with 6 solo outings. It is both contemplative and beautiful and one of Blaise’s most distinctive releases.
Catalog Number: CJR 1119
CompilationBill Barron (Tenor Saxophone), Fred Simmons (Piano), Bill Lowe (Tuba), Wes Brown (Bass), Ed Blackwell (Drums), Jay Hoggard (Vibes)Bill Barron was one of the shakers and shapers of the post Bop revolution, an unassuming and brilliant musician. He moved into academia and remains generally overlooked as one of the period’s greats. This material from the late maestro’s archives was handpicked by his wife, Anna.
Catalog Number: CJR 1117
Knudstock 2000Herb Robertson (Cornet), Frank Grasso (Piccolo Trumpet), Steve Swell (Trombone), Bob Hovey (Trombone), Bob Ackerman (Flute), Knud Jensen (Tenor Saxophone), Jim Hart (Guitar), Hans Tammen (Guitar), Chris Lough (Contrabass), Tom Sayek (Drums), Herb Fisher (Drums)This was one of the many informal jams a group of improvisers engaged in at Knud’s place in New Jersey. A musician’s jam for musicians. This one was recorded and its dynamic unpretentious self is here as presented. Included are some delightful background notes by the artists themselves.
Catalog Number: CJR 1116
Just PeaceRosella Clemmons Washington (Vocals), Bill Meek, Jr. (Keyboards), Dawn Crist (Keyboards), Tyrone Brown (Bass), Dave Brown (Drums), Grover Washington, Jr. (Tenor Saxophone), John Blake (Violin), Cecil Bridgewater (Trumpet)As the liners detail this was an imperfect date in that, shall we say, the recording mechanics were skewed and flawed. But what is evident is the exceptional voice of Rosella Washington in her debut release. Fortunately some things can be “redone,” as was the case here due to the unfortunate death of Grover Washington. But even so this is a phenomenal record of memorable music unforgettably delivered by Ms. Washington. A true case of perfect imperfection.
Catalog Number: CJR 1114
Between Two EternitiesNoah Howard (Alto Saxophone), Bobby Kapp (Drums)Another fine release in Cadence Jazz Records duo series. This one by two old friends, Howard and Kapp. Noah calls this 21st century music and Bobby remarked that this session “was the way I wanted to end my century.” Music that will transcend both.
Catalog Number: CJR 1113
Over The EdgeTom DeSteno (Drums), Bob Magnuson (Tenor Saxophone)Desteno and Magnuson have been making music together for their own pleasure for years. Occasionally someone looks beyond commercial consideration to allow independent thinkers a chance to partake in its pleasure. Here they are just a duo exploring the finer demands of Bop and Free Bop over 10 cuts.
Catalog Number: CJR 1112
FaithFred Hess (Tenor Saxophone), Glenn Nitta (Soprano Saxophone), Kent McLagan (Bass), Ron Miles (Trumpet), Mark Harris (Alto Saxophone), Tim Sullivan (Drums)You don’t have to go to the major jazz centers to find engaging music. Fred Hess and his Creative Music Ensemble established themselves in 1982 as devotees to music which both challenges and embraces. This remains one of their finest efforts.
Catalog Number: CJR 1109
GroundworkJoe Rosenberg (Soprano Saxophone), Jean-Luc Guionnet (Alto Saxophone), Olivier Py (Tenor Saxophone), Eric Jacot (Bass), Sylvian Clavier (Drums)Joe Rosenberg is a bit of a citizen of the world who, from time to time, issues a recording of music which reflects his independent nature and mindful ways. It’s hard to tie his music to any particular school other than generally Bop-post Bop, but it is always marked by thought and structured focus.
Catalog Number: CJR 1108
UltimaFrode Gjerstad (Alto Saxophone), William Parker (Acoustic Bass), Hamid Drake (Drums)It’s one marathon improv but within that journey some great parts of the whole, wonderful solos, and (all in all) a compelling listen throughout.
Catalog Number: CJR 1107
AnahadPaul Flaherty (Alto Saxophone), Randall Colbourne (Drums), Mike Murray (Guitar), James "Chumly" Hunt (Trumpet), Richard Downs (Bass)Flaherty and Colbourne—the dynamic duo—open things up a bit and venture into quintet land. But there are no concessions. Still dynamic, structured, but totally Free Form improvisation.
Catalog Number: CJR 1106
RaptureJoe McPhee (Saxophone), Jay Rosen (Drums), Dominic Duval (Bass), Rosi Hertlein (Violin)Trio X does not have guests very often, but here is Rosi Hertlein whose remarkable violin and voice bring a most exciting texture and punctuation to the music. It’s live and of the moment and lucky to be caught.
Catalog Number: CJR 1103
UtteranceGlenn Spearman (Tenor Saxophone), John Heward (Drums)Glenn Spearman and John Heward had a quiet but fruitful musical relationship between 1990 up until 1998, when Glenn died. Two different personalities, their differences complemented one another. CIMP recorded their co-led group in 1997. After Glenn died John came across this duologue: a nice addition to both of their limited discographies.
Catalog Number: CJR 1102
A Sandole TrilogyDennis Sandole (Guitar), Al DelGovernatore (Piano), Wendell Marshall (Bass), Frank Young (Drums), Michael Grossman (Piano), John Stubblefield (Tenor Saxophone), Tony Garnier (Bass), Mike Clark (Drums)Dennis Sandole was a legendary Philadelphia-based guitarist, teacher, and guru to a host of eventual East Coast Jazz giants. These recordings were recovered from the dustbin of Mr. Sandole’s archives and cover his work between 1958 to 1991, and sadly, account for a good percentage of his available recorded legacy. As an added bonus, one track features the Michael Grossman-John Stubblefield-Tony Garnier-Mike Clark 4tet playing a Sandole composition.
Catalog Number: CJR 1101
Jazz Corp: Live At The Lighthouse 1963-67Tommy Peltier (Cornet), Freddy Rodriguez (Alto Saxophone), Lynn Blessing (Vibes), Bill Plummer (Bass), Maurice Miller (Drums)Most people know Tommy Peltier for his collaboration with Roland Kirk. But here are his best and most distinct performances—testament that the West Coast was not always second fiddle to East Coast post-Bop music and, further, that Mr. Peltier was at the forefront of the new music 1960’s West Coast scene.
Catalog Number: CJR 1098
Cecil Taylor Quartet - Qu'a Yuba: Live at the Iridium Vol. 2Cecil Taylor (Piano), Harri Sjostrom (Soprano Saxophone), Dominic Duval (Bass), Jackson Krall (Drums)The second volume documenting this rarely documented Cecil Taylor group live at The Iridium. Volume 1 is Cadence Jazz Records 1092.
Catalog Number: CJR 1096
Positive SettingsRick Holland (Trumpet), Terry Lower (Piano), Larry Novak (Piano), Ed Fedewa (Bass), Thomas Knific (Bass), Larry Ochiltree (Drums)A follow-up to Rick Holland’s first Cadence Jazz record (#1083). This is mainstream Bop but far from formulaic, displaying a soul that is direct and honest in its delivery. Simply a lovely set of music which never panders to the saccharine.
Catalog Number: CJR 1095
Second CourseMarc Sabatella (Piano), Hugh Ragin (Trumpet), Peter Sommer (Tenor Saxophone), Roger Barnhart (Bass), Erik Turkman (Bass), Thomas Van Schoick (Drums)Every geographic region has its world-class local artists. The Rocky Mountain area has arguably four, of which Marc Sabatella is one. Unpretentious and totally musical, this endearing disc combines an eclectic mix of Marc’s originals with more familiar fare and includes a strong two minute tour de force on Offenbach’s “Can-Can.”
Catalog Number: CJR 1093
Only BelieveDon Glanden (Piano), Ernie Watts (Tenor Saxophone), Ken Filiano (Bass), Fred Biondi (Drums), Kevin MacConnell (Bass), Tom Palmer (Drums), Tom Giacabetti (Guitar), Paul Klinefelter (Bass), Tom Lawton (Piano)Don Glanden is a worthy piano player who also writes music worth hearing. Mix in a handful of standards and you have a total Bop listening experience.
Catalog Number: CJR 1092
Qu'a: Live at the Irridium Vol. 1Cecil Taylor (Piano), Harri Sjostrom (Soprano Saxophone), Dominic Duval (Bass), Jackson Krall (Drums)The first of a two part release documenting a night at The Iridium. Aside from being a complete and powerful statement, this is one of the few recordings documenting this edition of Mr. Taylor’s group
Catalog Number: CJR 1091
BorealisFrode Gjerstad (Tenor Saxophone), Didrik Ingvaldsen (Trumpet), Oyvind Torvund (Guitar), Oyvind Storesund (Acoustic Bass), John Lilja (Acoustic Bass), Endre Landsnes (Drums), Paal Nilssen-Love (Drums)Here’s Frode with his large group. As the liners say, “Each Frode Gjerstad date has its own concept of focus and addresses itself freshly to those terms.” So say the liners. So says the music.
Catalog Number: CJR 1089
Ikosa MuraFrode Gjerstad (Tenor Saxophone), Bobby Bradford (Trumpet), Borah Bergman (Piano), Pheeroan AkLaff (Drums)This is one of a number of encounters Frode Gjerstad has had with Bobby Bradford. It’s a combination that suggests muscle and thought. And, with Borah Bergman and Pheeroan Aklaff along, the power to pull off strong music.
Catalog Number: CJR 1086
No TrainSteuart Liebig (Contra Bass Guitar), Vinny Golia (Soprano Saxophone), Billy Mintz (Drums)Steuart Liebig graced the Les McCann group of the mid 1970’s but by the mid ‘90’s was exploring the more open areas of creative inspiration in a series of releases on independent labels. Here he brings his far ranging techniques to an electrifying trio of longtime musical mates in a series of improvisations which should make you re-evaluate the potential for bass guitar in jazz.
Catalog Number: CJR 1085
Bottoms OutScott Miller (Composer), Joe Fonda (Bass), Kevin Norton (Drums), Michael J. Stevens (Piano), Mark Whitecage (Alto Saxophone), David Bindman (Clarinet), David Schumacher (Baritone Saxophone), Robert DeBellis (Baritone Saxophone), Sam Furnace (Baritone Saxophone), Steve Swell (Trombone), Jim Leff (Trombone)Scott Miller and Joe Fonda brought together this potent ensemble, sort of a musicians’ workshop with, “A premise of the group that, in our music, there is an equal assertion of written composition and improvisation: The writing and the improvising are continuous and simultaneous throughout.” And “Though every member of Bottoms Out is a formidable soloist, the band is ultimately about a sense of ensemble.” The ensemble existed for a couple of years and was obviously an engaging unit, as witnessed by this sole issued document.
Catalog Number: Cadence Jazz Records 1084
In ConcertNoah Howard (Saxophone), Bobby Few (Piano), James Lewis (Bass), Calyer Duncan (Drums)One of the original cast of post Bop characters, here in concert at the Bimhuis with his longtime musical associate, the mesmerizing Bobby Few. Sit back and enjoy the unfolding.
Catalog Number: CJR 1081
Orkestra Kith 'n KinHans Reichel (Guitar), Thomas Borgmann (Soprano Saxophone), Lol Coxhill (Soprano Saxophone), Erik Balke (Sopraino Saxophone), Dietmar Diesner (Soprano Saxophone), Jonas Akerblom (Bass Saxophone), Martin Mayes (French Horn), Pat Thomas (Piano), Christoph Winckel (Bass), Mark Sanders (Drums)Wow. Big group, powerful personalities, led by the powerhouse, Mr. Borgmann. Perhaps it’s led by “Turning Loose”—contained within the structure of this extended work is fiery unrestrained playing. The CD concludes with some prime Lol Coxhill humor creations.
Catalog Number: CJR 1080
Suite EmpathyWilber Morris (Double Bass), Ehran Elisha (Drums), Roy Campbell (Trumpet)Ehran Elisha keeps his group together for years but remains elusive “on the scene.” He works big ideas in his music and isn’t afraid to go out all the time, admirably making the whole greater than the sum of its parts. This music, though just a powerful trio, is both driving and orchestral and impressed us so much we did a number of recordings with his groups for CIMP.
Catalog Number: CJR 1079
Essential ExpressionsPaul Dunmall (Tenor Saxophone), Tony Levin (Drums)Evan Parker produced this recording between these two veterans of the British jazz scene. It’s duo. It’s Dunmall and Levin. It is as stated, Essential Expressions—’Nuff said.
Catalog Number: CJR 1078
Driving Music: A Great Concert Vol. 2Charles Wilson (Piano), Ron Enyard (Drums), Lou Lausche (Bass), Al Kiger (Flugelhorn), Paul Plummer (Tenor Saxophone)Mainstream madness. This is living Bop by some legendary artists who have retreated from the big cities but whose chops are second to none and whose spirits are unjaded. Included in this set (see 1075 for vol. 1) are some breathtaking and extended studio cuts featuring the remarkable Charlie Wilson (aka Eddie Charles), another legend who should be a “Jazzhold” name.
Catalog Number: CJR 1075
Driving Music: A Great Concert Vol. 1Charles Wilson (Piano), Ron Enyard (Drums), Lou Lausche (Bass), Al Kiger (Flugelhorn), Paul Plummer (Tenor Saxophone)Mainstream madness. This is living Bop by some legendary artists who have retreated from the big cities but whose chops are second to none and whose spirits are unjaded. Included in this set (see #1078 for vol. 2) are some breathtaking and extended studio cuts featuring the remarkable Charlie Wilson (aka Eddie Charles), another legend who should be a “Jazzhold” name.
Catalog Number: CJR 1074
Velvet HeatPieter Ostrander (Tenor Saxophone), Mike Schiffer (Piano), Ram Miles (Bass), Theresa Mango (Harp), Randy Kaye (Drums)Another of those quirky and singular documents often found on Cadence Jazz Records, and other independent labels that allow artistry to trump bottom line costs. This was the late Pieter Ostrander’s only recording—and it’s homegrown at that. He and Mike Schiffer play with great emotive joy and sorrow. If you enjoy the pathos evoked by artists like Lester Young, you’ll enjoy this slice of the creative muse.
Catalog Number: CJR 1073
Inside the SphereMick Rossi (Piano), Kermit Driscoll (Double Bass), Charles Descarfino (Drums)Edgy, tentative, and freshly inventive, this never-before-group came together on a hunch by the leader and the result is, in his own words, “a documentation of a couple of days of hazardously quixotic fun.” Sometimes hunches pay off. This one definitely did.
Catalog Number: CJR 1071
Ocean of Love and Mercy - A Passion SuiteDale Fielder (Soprano Saxophone), Brian Swartz (Trumpet), George Bohanon (Euphonium), Dan Weinstein (Trombone), Daniel Jackson (Tenor Saxophone), Jane Getz (Piano), Bill Markus (Bass), Thomas White (Drums), Taumbu (Congas)Dale Fielder is a powerful tenor man out of the mid Coltrane school. Here he brings together an 11-part suite recorded live with a nonet conducted by him, playing music he composed and arranged. All of which is only as impressive as the music is good. This is impressive.
Catalog Number: CJR 1069
Seeing New York From The EarRashid Bakr (Drums), Frode Gjerstad (Alto Saxophone), William Parker (Acoustic Bass)The companion to CJR 1068. This time Frode’s in New York, live at the original Knitting Factory, and documents the first time he played with Messrs. Bakr and Parker.
Catalog Number: CJR Records 1067
Tom Cohen TrioTom Cohen (Drums), Ron Thomas (Piano), Mike Richmond (Bass), Bill Zinno (Bass)(reissue) Tom Cohen (drums) Mike Richmond (bass) Ron Thomas (piano) Bill Zinno (bass on 1 track)
Tom Cohen with Ron Thomas and Mike Richmond, a trio of unexpected invention and turns, prove that mining the Bopstream need not be the same old same old.
Things You Were - Turn Out The Stars - The Red Carpet - Sarabande - Time Remembered - Lyons Waltz - Groove for Andy - Passacaglia - Two Lonely People - The Free Of Us - Untitled Ballad - Motion Potion
Catalog Number: CJR 1065
Falling In Flat SpaceHerb Robertson (Trumpet), Dominic Duval (Bass), Jay Rosen (Drums)We were so impressed by this grouping we immediately decided to record it on CIMP (#110). Out of nothing much, this is what happens when you deal with improvisers who also listen. Sit back and enjoy the creations.
Catalog Number: Cadence Jazz Records 1063
Covert ChoreographyMichael Bisio (Bass), Eyvind Kang (Violin), Ed Pias (Drums), Bob Nell (Piano), Rob Blakeslee (Trumpet)Michael Bisio has been well documented by Cadence Jazz Records and CIMP. This short- lived group may have been just too powerful to be popular. This is masterful and interactive stuff and if you think you’re familiar with Mr. Kang’s playing, think again— you’ve never heard him like this.
Catalog Number: CJR 1062
PoGressionsHerb Robertson (Cornet), Perry Robinson (Clarinet), Steve Swell (Trombone), Wilber Morris (Bass), Burton Greene (Piano), Lou Grassi (Drums)The first recording of the PoBand—this is the one that started it all. This is the original edition with Burton Greene as the guest. Universally acclaimed for subsequent CIMP recordings, the PoBand is now acknowledged as one of the premier Free Jazz units.
Catalog Number: CJR 1060
Is Waiting For YouMichael Pagan (Piano), Michael Brothers (Drums), Ed Fedewa (Bass), Ken Morgan (Tenor Saxophone), Rick Holland (Trumpet)If you are looking for a lovely, tasteful, and uncompromised but highly accessible Bop document, this is it. Jazz that just seems so right without insulting jazz intelligence.
Catalog Number: CJR 1059
Emerging From The EarthBobby Zankel (Alto Saxophone), Stan Slotter (Trumpet), Tyrone Brown (Bass), John Blake (Violin), Uri Caine (Piano), Ralph Peterson, Jr. (Drums), Ron Howerton (Percussion)Bobby’s follow-up to CJR 1050: full of the passionate playing from this alto sax stylist along with his engaging originals, all wrapped up in another all-star group.
Catalog Number: CJR 1058
The Bitten MoonJon Hazilla (Drums), Ray Drummond (Bass), James Williams (Piano)(reissue) This is Jon Hazilla’s second leadership date and, like his first (CJR 1035), it’s an understated trio recording that packs a punch both in the choice of material and in the absolute focus of artistic brilliance. A standard but uncommonly good Bop trio outing. As for the leader (and believe us he is the leader), the Hazilla quality is all evident. Special note should be made of his brush work.
Catalog Number: CJR 1057
All Stories Are TrueDavid White (Guitar), Tim Armacost (Tenor Saxophone), Valery Ponomarev (Trumpet), Calvin Hill (Bass), Victor Jones (Drums)This was David White’s leadership debut. He later recorded a couple for CIMP records (#117, #168) before relocating to the Pacific Northwest. This recording shows that even at this early point David’s insistent arrangement style was intact. Tim Armacost and Valery Ponomarev take the solo honors but it’s those White musical designs that stick in your head.
Catalog Number: CJR 1056
So Nice To Meet YouErnie Krivda (Saxophone), Joe Hunter (Piano), Mark Gondor (Drums), Paula Owen (Vocals), Bill Plavan (Bass), Val Kent (Drums), Chris Berger (Bass)It’s rare to hear Ernie Krivda not playing some of his fine originals but here he keeps it standard for the most part except for a couple of Paula Owen originals. Paula Owen is simply one of the best—as her prior Cadence Jazz recordings will attest. This is an interesting pairing and fans of these two distinct stylists will be intrigued by the meshing of their musical personas.
Catalog Number: CJR 1055
Between Speech & SongEric Pakula (Alto Saxophone), Pandelis Karayorgis (Piano), Jonathan Robinson (Bass), Eric Rosenthal (Drums), Mat Maneri (Electric Violin)What a lovely deliberative, quirky, and ruminative group. Even the standards suggest the genesis of inspiration. A fine example of the 1990’s emerging Boston creative improvised music scene.
Catalog Number: CJR 1054
Fat OnionsPaul Flaherty (Alto Saxophone), James "Chumly" Hunt (Trumpet), Mike Murray (Guitar), Randall Colbourne (Drums), Stephen Scholz (Violin), Richard Downs (Bass)Cadence Jazz was the first label to begin documenting the Paul Flaherty and Randy Colbourne partnership (1988/CJR 1042). This 1993 recording finds the pair in the unusual setting of a sextet. But fear not, there is no reining in of their explosive free form designs and yet they remain in concert with the group. Free Jazz with power and no apology.
Catalog Number: CJR 1051
InnocenceJoe Gallivan (Drums), Marcio Mattos (Bass), Elton Dean (Alto Saxello), Evan Parker (Soprano), Neil Metcalf (Flute), Guy Barker (Trumpet), Gerard Presencer (Trumpet), Claude Deppa (Trumpet), Jim Dvorak (Trumpet), Paul Rutherford (Trombone), Ashley Slater (Bass Trombone)Big works by a big group. This remains our favorite Joe Gallivan recording in a career that was first documented back in 1961. Unfortunately this astounding assemblage of players was documented on only one recording, but the extended tracks offer up just the kind of intriguing power and movement that you might hope for from some of Europe’s finest improvisers. Passionate music.
Catalog Number: CJR 1050
Seeking SpiritBobby Zankel (Alto Saxophone), Odean Pope (Tenor Saxophone), Johnny Coles (Trumpet), Ray Wright (Baritone Saxophone), Tyrone Brown (Bass), Stan Slotter (Trumpet), Sumi Tonooka (Piano), Craig McIver (Drums), Uri Caine (Piano), David Gibson (Drums)A distinctive orchestrater, composer, and instrumentalist Bobby Zankel over the years has remained a Philadelphia musicians’ musician. This is his debut recording and it remains one of his finest. If you’re not familiar with this notable musician’s work, start here and we think you’ll be impressed enough to move through other documents of his body of work
Catalog Number: CJR Records 1049
Ernie Krivda JazzErnie Krivda (Tenor Sax), Bob Fraser (Guitar), Jeff Halsey (Bass), Gary Aprile (Bass), Roger Hines (Bass), Chris Berger (Bass), Pat Hallaran (Trombone), Pete Selvaggio (Accordion), Joe Hunter (Piano), Paul Samuels (Drums), Scott Davis (Drums), Dennis Reynolds (Trumpet), Mike Hazlett (Trumpet)
Catalog Number: CJR Records 1047
Catalog Number: CJR 1045
HomecomingAbbey Rader (Drums), David Liebman (Soprano Saxophone), Mack Goldsbury (Tenor Saxophone), Richard Oppenheim (Alto Saxophone), Roy Cumming (Bass)Abbey Rader, a respected drummer with a discography that stretches back to the mid 1970’s, has always worked the fringes. As a result, his infrequent recordings appear on small purist labels, often in the company of his long-time musical associates. On this recording is displayed his compositional strengths in a set of straight ahead, un-compromised Free Bop. As a side note this was the first CD-only issue for Cadence Jazz Records.
Catalog Number: CJR 1029
Live At The Jazz Cultural TheatreAbdul Zahir Batin (Drums), Bobby Watson (Alto Saxophone), Cecil Bridgewater (Trumpet), Robin Eubanks (Trombone), John Hicks (Piano), Curtis Lundy (Bass)Called the Notorious Ensemble at the time this was recorded in 1986, this now looks like the All Star Ensemble. Mr. Batin remains an elusive and legendary N.Y.C Jazz character. This is a very live recording and captures a group of individuals as distinct as the original music played. This remains the best and most complete documentation of this artist, and a wonderful record of a memorable occasion.
Catalog Number: CJR 1027
RainsplashAlan Simon (Piano), Ralph Lalama (Tenor Saxophone), John Goldsby (Bass), Tim Pleasant (Drums), Neil Tufano (Drums)This CD reissues the debut recording of Alan Simon and features the up-and-coming tenor of Ralph Lalama. The program features two of Mr. Simon’s notable originals, the original 1985 interview, and retains the original Ansel Adams cover art.
Catalog Number: CJR 1023
ImpasseGlenn Wilson (Baritone Saxophone), Harold Danko (Piano), Dennis Irwin (Bass), Adam Nussbaum (Drums)This was Glenn Wilson’s leadership debut. Of the nicely crafted and purposeful handful of recordings this thinking man’s bari has led (since 1984), this remains one of his best. Originally released on LP, this CD issues additional takes which maintain the original integrity of the LP and give added insight into Glenn’s musicianship. The notes contain the original 1984 interview along with updated notes by both Glenn Wilson and Bob Rusch.
Catalog Number: CJR 1019
The ImproviserChet Baker (Trumpet), Per Husby (Piano), Terje Venaas (Bass), Ole Jacob Hansen (Drums), Bjorn Kjellemyr (Bass), Espen Rud (Drums)This is the no bullshit Chet Baker stretching out, pure and backed by one of Norway’s most accomplished Jazz men, Per Husby. Five cuts averaging over 10 minutes each, it’s Chet at his best and that means Jazz at its best.